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#1
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An interesting and now very controversial question. For 25+ years the definite guide to restoration procedures could be found in the annual Overstreet Price Guide. Then CGC came around in 2000 and unbeknown to all but a few dealers close to CGC, their definition of restoration did not include all the procedures included in Overstreet's guide to restoration. Most contentious was pressing.
As a result, those dealers close to CGC had comics cleaned and pressed and got Blue(unrestored) labels for the comics they'd submitted to CGC. But buyers of these early slabs were under the impression that the comics contained were unrestored under Overstreet's previous guidelines to comic restoration. This of course gave those dealers who were close to CGC a tremendous and very unfair advantage in the marketplace. Nonetheless, CGC classifies trimming as well as cleaning with solvents as restoration and in particular notes any trimming detected on the label (or so I understand).
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That government governs best that governs least. |
#2
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What's also interesting is stamp collecting started way back in the 1840's which is far earlier than trade card or comic collecting. Are there any stamp collectors on this board who can tell us what can be done to stamps without raising hackles/alarm bells?
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That government governs best that governs least. Last edited by Balticfox; 10-21-2024 at 01:46 PM. |
#3
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Especially after grading came along. The answer will vary depending on the issue. One set from Germany had acidic gum, and it's expected and almost required that it be removed by soaking. For a long time unused US stamps that were precancelled for bulk mailers were not allowed to be sold to collectors, but of course were sold by a few different places, the minimum required to be a permit holder for a smaller town was an expected 500 mail pieces. Most of the dealers could get their hands on thousands at a time, and soaked the gum off to sort of cover up their purchases. Most yellow or orange stamps oxidize to orange or brown, and a lot of people will reverse this by a quick dip in hydrogen peroxide. I don't, most of the stamps it happens to are inexpensive, and nice ones are easily found. Things like extra long bits between perforations and routinely shortened, doing that by pulling with a tweezers is generally ok, cutting with an exacto knife isn't. Again, if something is the minimum catalog value of 25 cents like nearly every stamp since the 30's it isn't usually done. For used stamps, soaking to remove paper and envelope bits is generally ok , In some cases the piece it's on and the cancel showing can be worth a lot more than the stamp so caution is needed. A stamp with a lot of dirt also often gets soaked. The grading companies do give very high grades to stamps issued without perforations cut from blocks so you get a stamp with eight others showing in the margins, I don't think that's at all good, but it seems to have become mostly ok. Sort of like trimming a hand cut card like Hostess. Anything else does happen, and is NOT ok. The degree varies as does how it affects the price. Removing the perforated border, adding a perforated border repairing tears Painting in details a stamp never had so it seems like a more expensive version. Fixing thin spots washing out cancels adding fake cancels Faking overprints Obscuring overprints Chemically altering the color rebuilding or adding back damaged areas Putting on new gum redistributing the original gum The expertizers are very good at catching that stuff, and are typically experts in a fairly narrow field. All that can lead to interesting situations. Here's a stamp I sent in via a friend. The first foreign entry of it's kind to be expertized. But with a fake cancel. At some point, a used O6 was an easier thing to sell, or higher priced than one that was unused with no gum. I only know of 6-7 examples of that foreign entry. Rare, but a bit messed up. Last edited by steve B; 10-22-2024 at 08:17 AM. Reason: left picture out |
#4
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Forgive my ignorance (I haven't submitted anything for grading in years), but do the grading companies ask that you disclose known alterations? Is there a question on the submission form about this? Does the form (or the terms and conditions of submission) state that there is an "obligation to disclose"? If it doesn't, maybe it should. Because if there isn't a spelled-out obligation to disclose, then there may not be an affirmative obligation to do so, which leaves it up to the grading companies to discern the alteration. Legally, anyway. Ethically, of course, I would think a submitter should disclose what they know.
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On the lookout for Billy Sullivan Jr. and Sr. memorabilia |
#5
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https://www.net54baseball.com/showthread.php?t=353374
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Trying to wrap up my master mays set, with just a few left: 1968 American Oil left side 1971 Bazooka numbered complete panel |
#6
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How many people in the history of PSA have submitted cards noting the alterations they had made?
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Net 54-- the discussion board where people resent discussions. ![]() My avatar is a sketch by my son who is an art school graduate. Some of his sketches and paintings are at https://www.jamesspaethartwork.com/ |
#7
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I actually know one guy that sent in a counterfeit card with details describing the exact differences between it and a real card. It came back from PSA in a 9 slab graded as a real card. It is a longtime friend and fellow member who posted about it on here when it happened.
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#8
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I've always found it odd to compare restoration in the fine art world to restoration of baseball cards. The two are incomprable. A one of a kind painting being restored and preserved is not even remotely similar to a mass produced baseball card where the market places a value difference between cards of different conditions. It's literally the condition that gives the card its value, relative to other copies of the same card. So no, it's nothing like restoring a one of a kind painting.
The better analogy would be the ephemera market. A movie poster, or advertisement that was mass produced. Altering and restoring those things will decrease the value compared to a similarly conditioned untouched copy. Or if you insist on fine art, a statue cast from a mold, where hundreds of copies exist. If Remington's famous Broncho Buster statue had the cowboy's arm broken off and glued back on, take a guess of it's value compared to an unrestored version. |
#9
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LOL just recalling the Brent Huigens nonsense about "conservation."
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Net 54-- the discussion board where people resent discussions. ![]() My avatar is a sketch by my son who is an art school graduate. Some of his sketches and paintings are at https://www.jamesspaethartwork.com/ Last edited by Peter_Spaeth; 10-21-2024 at 02:07 PM. |
#10
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While that's true, you need to consider why there needs to be deception in cards, but not paintings. If alterations didn’t matter in cards, it wouldn't be information that is withheld. The reason it matters in cards is what I pointed out above: original survivor cards are differeiated from other mass-produced copies based on condition. You don't have that market dynamic with unique paintings.
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#11
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Net 54-- the discussion board where people resent discussions. ![]() My avatar is a sketch by my son who is an art school graduate. Some of his sketches and paintings are at https://www.jamesspaethartwork.com/ Last edited by Peter_Spaeth; 10-21-2024 at 03:13 PM. |
#12
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Don't be silly, Peter. They don't disclose it because there is nothing to disclose, not because it would negatively impact the price. Honesty is kept out of the equation for other reasons.
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#13
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And yes, it's a slippery slope, and there's no perfect definition of what is material alteration and what isn't that will satisfy everyone, I get that. But that doesn't invalidate the overarching point. I can have a valid general principle even if I can't perfectly and consistently apply it in every case. And anyhow, disclosure is the perfect solution, let people decide for themselves if they care.
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Net 54-- the discussion board where people resent discussions. ![]() My avatar is a sketch by my son who is an art school graduate. Some of his sketches and paintings are at https://www.jamesspaethartwork.com/ Last edited by Peter_Spaeth; 10-21-2024 at 03:29 PM. |
#14
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THAT is exactly what Snowman wrote the last time he got rung up on this topic. Very convenient stance.
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( h @ $ e A n + l e y |
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