Approaching the 1952 Topps Set

CamaroDMD · #1 05-30-2013, 05:55 PM

One thing I have always wondered about these cards is how was the image made? They appear to be drawings...but sometimes they also appear to have some photographic traits to them. Are they solely drawings done by an artist (like some of the earlier cards), are they a photograph that has been heavily enhanced by an artist...or something else? I have always assumed they are drawings...but I have never had that confirmed.

steve B · #2 05-31-2013, 08:34 AM

Colorized black and white photos, so yep enhanced by an artist.

There's an example of a flexichrome on this site, plus a few other production pieces.

http://www.1952toppsbaseballcards.com/

Steve B

CamaroDMD · #3 05-31-2013, 11:23 PM

Quote:

Originally Posted by steve B

Colorized black and white photos, so yep enhanced by an artist.

There's an example of a flexichrome on this site, plus a few other production pieces.

http://www.1952toppsbaseballcards.com/

Steve B

OK, that's what I thought. Thanks for the info.

Next question, why did the first series have red or black backs? Was there a reason for the difference and why did they only have red starting with the second series?

Brianruns10 · #4 06-01-2013, 12:06 PM

Quote:

Originally Posted by CamaroDMD

OK, that's what I thought. Thanks for the info.

Next question, why did the first series have red or black backs? Was there a reason for the difference and why did they only have red starting with the second series?

Good question! Others here may know a definitive answer. There may have been some technical reasons for the switch, but I personally think it comes down to this being the first series of what was a pretty new experiment for Topps, doing large size, full color issues. The first series was something of a trial and error approach to the rest of the issues, which you really start to see as the whole set evolves. I think they realized the black back design just wasn't very attractive, and the two color red back was more attractive.

In fact, you'll discover quite a few changes made. In general, the portrait's color and vibrancy were improved for the red backs; the black backs tend to be more muted and pastel-like in their quality. And of course there is the (in)famous switched bios for the Sain and Page issues. They were definitely figuring things out, and were improving with each new series in the set. The portraits get better, they widened the white borders and enlarged the typeface of the player's name in the autograph box, and made a few other minor tweaks.

Study the cards enough, and you'll soon be able to identify the series by the portrait style. Series 1 are very watecolor, pastel-like in quality, and by the sixth series (the most beautiful in the set, and I think the greatest in all collecting) the portraits become really vibrant, almost impressionistic with fine detailing. It's really something to see how fast they master the craft, and go from being novices to masters by card 407

Zach Wheat · #5 06-01-2013, 05:57 PM

For the '52 Topps, the first time Series #1 (1-80) was printed, they used black ink. Each subsequent printing of the 1st series and each successive series thereafter was printed in both red and black ink.

ZWheat

vintagebaseballcardguy · #6 06-01-2013, 09:18 PM

While building other sets, like the '53 Topps, I usually buy raw commons and save money to apply to the star cards. The commons are nice and would be gradable if I so chose most of the time. I devote most of the money spent on sets to the stars. I buy the star cards graded from reputable sellers. Is this a smart approach for '52?? Specifically, I am referring to the high #s. Are these safe to buy raw in VGEX-EX, or do I need to treat them like star cards?

Brianruns10 · #7 06-01-2013, 11:10 PM

Quote:

Originally Posted by vintagebaseballcardguy

While building other sets, like the '53 Topps, I usually buy raw commons and save money to apply to the star cards. The commons are nice and would be gradable if I so chose most of the time. I devote most of the money spent on sets to the stars. I buy the star cards graded from reputable sellers. Is this a smart approach for '52?? Specifically, I am referring to the high #s. Are these safe to buy raw in VGEX-EX, or do I need to treat them like star cards?

What it comes down to is eye appeal. Even cards in poor condition can still be nice, while cards in relatively high grades awfully ugly.

I think that's a safe grade range. The highs are a pretty safe buy in just about any grade, just focus on getting ones with honest wear, but are problem free. Stuff with holes, or creases through the middle, are junk in my opinion.

But if I had to just give one piece of advice, it'd be to buy nicely centered cards. Even low grade cards, if they're nicely centered, can resell well, and hold their value nicely. And i think it gives a nice challenge. It is really no trick to build the 52 set if you've got no scruples and just want to build a set. Even the high numbers can be had fairly afford-ably if you buy junk beaters. But it takes a little more time and effort to find centered copies. But you'll be proud when you look at those cards all lined up.

Zach Wheat · #8 06-01-2013, 11:28 PM

Quote:

Originally Posted by vintagebaseballcardguy

While building other sets, like the '53 Topps, I usually buy raw commons and save money to apply to the star cards. The commons are nice and would be gradable if I so chose most of the time. I devote most of the money spent on sets to the stars. I buy the star cards graded from reputable sellers. Is this a smart approach for '52?? Specifically, I am referring to the high #s. Are these safe to buy raw in VGEX-EX, or do I need to treat them like star cards?

Ii think this is a good strategy and you should be fine. One of the issues you should pay particular attention to is buying cards that are trimmed. It is difficult to tell with raw cards without having them in hand.

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