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#1
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Colorized black and white photos, so yep enhanced by an artist.
There's an example of a flexichrome on this site, plus a few other production pieces. http://www.1952toppsbaseballcards.com/ Steve B |
#2
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Next question, why did the first series have red or black backs? Was there a reason for the difference and why did they only have red starting with the second series? |
#3
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In fact, you'll discover quite a few changes made. In general, the portrait's color and vibrancy were improved for the red backs; the black backs tend to be more muted and pastel-like in their quality. And of course there is the (in)famous switched bios for the Sain and Page issues. They were definitely figuring things out, and were improving with each new series in the set. The portraits get better, they widened the white borders and enlarged the typeface of the player's name in the autograph box, and made a few other minor tweaks. Study the cards enough, and you'll soon be able to identify the series by the portrait style. Series 1 are very watecolor, pastel-like in quality, and by the sixth series (the most beautiful in the set, and I think the greatest in all collecting) the portraits become really vibrant, almost impressionistic with fine detailing. It's really something to see how fast they master the craft, and go from being novices to masters by card 407 |
#4
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For the '52 Topps, the first time Series #1 (1-80) was printed, they used black ink. Each subsequent printing of the 1st series and each successive series thereafter was printed in both red and black ink.
ZWheat |
#5
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While building other sets, like the '53 Topps, I usually buy raw commons and save money to apply to the star cards. The commons are nice and would be gradable if I so chose most of the time. I devote most of the money spent on sets to the stars. I buy the star cards graded from reputable sellers. Is this a smart approach for '52?? Specifically, I am referring to the high #s. Are these safe to buy raw in VGEX-EX, or do I need to treat them like star cards?
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#6
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I think that's a safe grade range. The highs are a pretty safe buy in just about any grade, just focus on getting ones with honest wear, but are problem free. Stuff with holes, or creases through the middle, are junk in my opinion. But if I had to just give one piece of advice, it'd be to buy nicely centered cards. Even low grade cards, if they're nicely centered, can resell well, and hold their value nicely. And i think it gives a nice challenge. It is really no trick to build the 52 set if you've got no scruples and just want to build a set. Even the high numbers can be had fairly afford-ably if you buy junk beaters. But it takes a little more time and effort to find centered copies. But you'll be proud when you look at those cards all lined up. |
#7
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#8
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Thank for the input, guys. That is what I have done with the 53 set. I have largely avoided creases, wrinkles, stains, holes, markings, etc. I have learned to live with honest wear. I am in the process of upgrading a few 53s that didn't measure up. I do have a couple that need to be replaced due to centering. It's funny what a learning process it becomes as you build a vintage set over a few years! Centering wasn't something I thought a lot about a few years ago, but now I pass on cards all the time because of it. Brian is right when he says that centering can help compensate for other problems a card has. I plan on being done (again) with that soon and turning my full focus to 52 Topps. Even with a set as pricey as 52, I will not buy junk. At least for me, that defeats the purpose. Much like I did with 53, I will try to stay in the mid-grade range. Zach made a point that I have thought about also: trimmed high #s. I will never be able to buy them in person where I live. I suppose I am ok with buying them online as long as I know the seller and they have a refund policy in case they don't "measure up."
I have tried to ignore the impulse to go after this set, but I can't quit looking at them! We have a great hobby. |
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