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#1
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Quote:
While I agree that there may be valid reasons for some reasonable delay while gathering additional facts about a find, the attitude that "I'm going to take this secret to my grave" is just couterproductive for the collector and definitely not in the interest of the hobby. I have never understood the rationale that keeping an "uncataloged card" secret will make it worth more in the future. As you suggest, sharing the find with the hobby very well may uncover additional facts that would only stimulate interest (and value) to the find. As I believe it has been pointed out before, keeping "new discovery" secrets is like asking "if a tree falls in the forest, does it make any noise?" If nobody knows about it or is there to hear it, what difference does it make. I strongly believe that a card's value can only be enhanced when it is revealed and widely discussed. As editor of Old Cardboard, I have spent the past six years of my "retirement" with the sole purpose of providing new and interesting information to the hobby about vintage baseball cards and memorabilia. From my perspective, I have great admiration for our authors and others who have freely shared information about the card sets in which they have expertise. By doing so, they have contributed very significantly to the hobby. And in the process, I firmly believe, have increased the overall value of the cards they discuss. Lyman |
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#2
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Lyman--With all due respect I think you are dead wrong on the valuation question. An unlisted Old Judge pose of Jim Tyng sold for approximately $20,000 in the last REA auction. Over the years I have found easily 25 unlisted Old Judge poses, cards probably no more or less scarce than the Tyng pose, and I guarantee you that since they are "listed" they would only sell for a small fraction of the Tyng price.
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#3
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1) Are you saying that the Jim Tying card being "unlisted" is the sole reason the it sold for that price? 2) Did not the card, in effect, inherently become "listed" the instant that it appeared in the REA catalog--before it sold for that price? 3) What is your opinion of the value of the card today. Since it is now listed, is it worth much less today? 4) Do you think that your same rationale applies in other situations (say for an entirely new set like the 1921 Tip Top Bread issue, rather than a card like the Jim Tying card from an already established iconic set)? 5) Are there any exceptions to your "unlisted has a higher value" rationale or do you think that rule always applies? 6) What is the rationale that explains why an "unlisted" card has more value? Jay, you know that I luv ya (and Dan Mckee is one of my all-time closest collector friends). We just seem to differ on this issue. Perhaps your answers to the above questions may convince me differently. ![]() Lyman Last edited by lhardem; 12-05-2009 at 08:49 AM. Reason: Correct spelling. Gee, I hope Barry didn't see that one. |
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#4
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While I agree with Jason and Lyman I see Jay's point too. I don't think you can make a blanket statement on ALL unknown cards losing value when they are made known, as well as, or, increasing in value from being known. Some sets are so scarce an unknown card isn't that big of a deal, as there are many that aren't known (N175, Frederick Foto's etc)..... Overall, I do like sharing knowledge but understand both sides of the argument. Personally, I tend to fall on Lyman's side in discussing the rarest issues....And again, that doesn't mean I don't think some cards are less valuable when catalogued. On these Tip Tops I don't think it made a difference in their value....I also think individually they would have done just as well or better....but they aren't doing bad as a lot either....regards
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Leon Luckey www.luckeycards.com |
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