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#1
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Ray may have been lying for some reason, but he is the only actual primary source I have ever seen able to recount the origin. His testimony appears to be the only actual evidence. I have been told there is some evidence of the Long Island origin but nobody is able to produce it when questioned about what it is. So strange.
Mastro was obviously guilty of very serious criminal fraud. Imperfect is putting it far too lightly. But criminal fraud is not seen as a big deal in this hobby for some reason ($$$), so I guess that is not a big problem. What's wrong with having auctions and auction houses run by convicted fraudsters? Nothing! The 'trimming' is kind of irrelevant, since it was cut by hand from a "sheet" (deductively, almost certainly not an actual sheet, perhaps a panel or strip). Its only added value is that the card was effectively cut illegitimately twice and PSA still pretends it's an 8, adding to the comic absurdity of their money-printing claim to this day. If a corporation says up is down, this hobby will decide that up is close enough to down that it is fine as long as money can be made. A card that is altered in reality is... altered, independent of any single person's knowledge of said alteration. Not being caught doing something does not mean that thing did not in actual objective reality ever happen or it somehow does not count. The real tragedy of the saga is that possibly the only piece of uncut material from the set production runs to survive to modernity was destroyed without any documentation of the layout, size, what was on it, etc. There are only a handful of uncut T strips/sheets/panels that anyone can show (mostly Obak), and none for T206. Some other T sheets we know survived to modernity have been destroyed, like the T25 sheet and the T204 sheet. |
#2
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Where did Ray discuss the origin? I know I have read this but cannot now recall except to vaguely remember it was something about Florida.
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#3
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As I recall the details (I'm not home, I can't go through my archive right now), the Florida origin was stated by Ray to be from a flea market. The sheet was bought at the flea market for an unstated pittance, and then brought up north where the cutting and selling (1985) happened via Ray. Ray, of course, is probably the only person who would really have any real information on the origin. I would never assume people are honest, but there's no other evidence and nothing that contradicts. The claims from Long Island have been made by multiple people. None have ever been able to provide a shred of evidence or real information beyond just insisting they are right because they are. NY is closer to the production facility (we do not actually know, despite many claims to the contrary, for a certain fact which facility actually printed T206 - probably it was multiple, and not all of them may have been direct on paper facilities of the ALC), but in the course of 70 something years items move around. Plenty of New Yorkers have retired to Florida and brought their possessions with them. I have found 1910 T card sheets (actually a series of panels in two sheets for two different sets) and traced them to a NY origin, but things can be found in other places too and be legitimate. I don't see any problem with a sheet popping up in Florida. |
#4
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In this 2001 piece by O'Keeffe, Ray refused to say where he got it. Also note Mastro's adamant denial.
https://www.t206museum.com/page/periodical_19.html
__________________
Net 54-- the discussion board where people resent discussions. ![]() My avatar is a sketch by my son who is an art school graduate. Some of his sketches and paintings are at https://www.jamesspaethartwork.com/ |
#5
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The Long Island claimant was asked for evidence they claimed to posses over and over on this board and refused to ever divulge it. This was a lie, it possibly is from NY (it probably was in 1909!) but it isn’t because of this claim. I have no clue what the actual truth is, and nobody has ever given anything to prove it. I have no reason to doubt the long standing story especially, nor to argue that it is the truth. I don’t know where it is actually from, we probably never really will at this remove. That’s the point, that we lost a lot of history that we aren’t likely to be able to find anywhere else because this unique item of immense value to research was cut up and ruined for some bucks, and no information preserved. It is quite unfortunate for us all. |
#6
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The best thing you could have possibly done, seeing as the days of the outhouse are behind us.
Last edited by BillyCoxDodgers3B; 10-19-2024 at 05:43 AM. |
#7
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I considered the outhouse, but I thought that would be insulting to excrement. His infatuation with Lifson and a number of errors about cards were forgivable, but spending much of the text implying card collectors are racists because they are able to recognize obvious reprints was just too dumb to waste bookshelf space with.
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#8
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#9
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If this wasn't apparently found in Wagners estate, I'd have a lot of doubts about it. To my eyes this piece is way more interesting and cool than the PSA 8 Wagner. |
#10
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I would agree Greg. This panel is very odd. Have you ever seen any T205 uncut sheets or panels?
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#11
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For baseball there are a few Obak sheets and panels, but I believe this set was produced by an unrelated lithographer on the west coast. American Lithography was a lot more circumspect than the ATC was about a monopoly. A number of print shops are working with ALC and doing things that make no sense (one series of records I found in a card related court case has the ALC outsourcing a small project to 2 different 'independent' firms) if they didn't own a number of their 'competitors'. The documents suggest to me that the ALC didn't put on paper its ownership of firms like Brett Lithography that produced a number of the T card sets, but that in actual practice these firms were acting as subsidiaries. I will edit this list if I am forgetting any, but I believe these are our surviving T sheets of the 1909-1912 ATC project. Finding even one panel or sheet of east coast printed T cards the same size as T205/6 could be very helpful. Small Size Proof sheets, testing only a handful of cards, focused on colors and alignment and clearly not the size that would have been used for mass production: T107 T62 (at least 2 different) T51 Full size sheets or nearly full size sheets: T212 Obaks T25 - Auctioned and then cut up into strips and/or singles. (I have 2 strips of it). T220 Silver - Proof cards cut into 8 panels long ago before 'discovery'. (I have 23 of the 24 surviving fragments). E229 - cut into panels before discovery, from the same find as the T220 set. Candy set, but at least 1 of its backs is a licorice owned by the ATC and it was done by the same printers at the same place at the same time as T cards, probably using the same contracts, so I would bucket this as relevant, unlike the E90 sheets or the E93 sheet). These are probably proof cards, but there are no changes I have noticed. (I own most but not all of the panels). T204 Ramly - cut up into singles that SGC slabbed, no picture or documentation was ever shown publicly (as far I am aware, I am no Ramly expert). These are probably not helpful to ATC card sheets. T206 Panel - Cut up by Mastro in 1985. The presence of a single Wagner and Plank very strongly suggests this was not a "sheet" in the full sense, but a panel of some sort The Wagner strip from his estate really doesn't fit with any. I would love to handle it raw and examine, but that ain't ever happening. We would know a lot more than we do now about the ATC card project if we could find even a few sheets of random sets. That there are so few from any of the dozens of ATC sets and that some of those very few that did survive were not even documented before being destroyed saddens me. A lot of knowledge was lost, slowing research but perhaps preventing us from ever getting that information elsewhere. There may not be another sheet to discover and learn from, and we will forever be stuck squinting at miscuts and trying to deduce which cuts went with what sheet layout and its overall size etc. |
#12
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Working on the following sets: 1916 and 1917 Zeenut, 1954B, 1955B, 1971T and 1972T |
#13
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A halfway decent interviewer would automatically have gone there. Mastro was jovial and in a talkative mood. The interviewer should have asked more about the original uncut sheet with a single question… and then shut up and let Mastro expound on it. But because he was mercilessly interrupted, cut-off and redirected (for the interviewer to talk about himself) I guess this critical part of the story has to remain a mystery.
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#14
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Enough about you. Now, let's talk about ME.
__________________
Net 54-- the discussion board where people resent discussions. ![]() My avatar is a sketch by my son who is an art school graduate. Some of his sketches and paintings are at https://www.jamesspaethartwork.com/ |
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