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#1
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Great research Bryan. For the past few years I have been doing research
on a growing group of print/caption flaws and I probably have more unanswered questions now then I did before I started the research. In my opinion the reason for a lot of the unanswered questions is that the way they printed the sheets changed from series to series and it even changed during the printing of a each series and each back. I don't think the printers fixed the Murr'ay I think the numbers are a result of how they were printed based on my research of the group of flaws. One of the things I've found is if a flaw is found on a non piedmont back so far it's always found at a larger % than the piedmonts. I think there are a couple of possible reasons for this. They printed smaller sheets of the non piedmonts and it depended on whether the plate with the flaw was used for a particular back. The other possibility is that larger sheets of fronts were printed and divided in half or thirds to print two or three different backs and only one would have the position with the flaw. I'll use the Davis AMEP as an example of why I think you have the numbers you see on the Murr'ay's. The Davis AMEP is on one of the plate scratch sheets that based on the scratches I know is at least 12 same vertical subjects high So only one out of twelve Davis cards printed from this sheet would have the flaw. Sheet 1B Front.jpg img392.jpg These are the numbers I have on that flaw. Davis.jpg Since the Piedmont backs were printed first there was probably some sheets printed before the flaw occurred. The SC649's % is similar to the Piedmonts but the Sovereign150 and SC150/30 %'s are double the Piedmonts. All of the other the flaws have similar numbers and the best explanation I can come up with is the smaller sheets/ less plates on the non Piedmonts. |
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#2
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Bryan, great work. I notice that you have the front of my Old Mill, but not the back. Here's both, in case you need it:
scan0030.jpg scan0031.jpg |
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#3
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The flaw would most likely have occurred while laying out the stone. For that position, the A just didn't transfer properly.
I doubt it was fixed, the simplest fix would have been scratching in or painting in the rest of the A on the stone, which would usually be obvious. The scenario for why that many different backs would be a matter of how the orders were placed as well as how the cards were produced. I think it's most probable that the orders were for a certain number of cards with a particular back. And it's also probable that to some extent, the player selection was part of the order. The bit of packing logbook the specifies something like "for not Philadelphia area" would indicate that there was some regional distribution. It's entirely possible that the brands with fewer sales would be ordered together with a certain selection of players. The larger brands may have been ordered simply as "X number of Piedmont baseball subjects" (Or something like that. ) The selection for the smaller brands may have been arranged around one of the more mid range brands. And the exact selection simply up to timing. So yes, there would have been a large stack of fronts somewhere. The question is what exactly was done. Usually the required fronts would be brought to the press all together. The presses were a bit slow and may have been manually fed. Even with an automatic feeder chasing around the shop for a fistful of fronts wouldn't be done as it's just too inefficient. So if the order is for say 20,400 cards, then maybe 100 sheets would be brought to the press. (assuming a 12x17 subject sheet ) Those would be run all at once, and sent to cutting/packing after they were dry. (Unless they were shipped uncut to the ATC packing plant.) The number seems low, even for brands with few sales like Lenox or Broadleaf. Larger brands would probably have larger sheets, that would have been used for … maybe everything down to maybe Old Mill or Polar Bear. Those two brands being in an odd spot, Polar Bear certainly got at least one sheet that was all its own and with some OMs being very tough they may have as well. Production being what it is, if these were ongoing print jobs, there would have been extra sheets printed. Either in anticipation of a future order, or as backup in case something went very wrong, like printing a big portion of the order in the wrong color, or feeding a couple hundred sheets upside down causing excessive waste. The question becomes, once it's clear that Lenox won't be needing any more cards, what do you do with the leftover sheets of fronts that are perfectly good? Run them on some other brand, hopefully another of the smaller brands, or maybe you make a Piedmont stone to match the smaller sheet and run them as Piedmonts (It may have been technically possible to run the smaller sheet with the larger stone, but we'll mostly ignore that for the moment, and there's no actual proof that the sheets were different sizes besides the logic of using much larger sheets for Piedmont and SC where the orders were probably for a million or so if not X number a month until we say stop ) |
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#4
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Bryan, great work and very nice thread. Thanks to everyone for the thoughtful replies this far.
I hope it doesn't derail the conversation, but I'd like to ask the following question in the context of the printing process discussion (although not specifically about the Murr'y): Is this scenario possible? (Think of it as hypothesis #4 ![]() They keep the name types around and reuse them... And they aren't connected to the team names. Perhaps the factory worker Murr'y conversation went like this: One printer says to another: "Yo Bubba, the Murr'y is messed up. Put in Murray." Bubba puts in a better name plate but the Murr'y gets tossed to the side. Later, Bubba just gets careless or lazy and starts using Murr'y again, resulting in other backs receiving newly printed sheets with Murr'y, but printed at a later date. Evidence? Check out this T215-2 Steinfeldt (and the T215-1 Steinfeldt for reference). The T215-2 name is in T206/T215-1 font, but the team name is in Type 2 font as the team name changed from St. Louis to Cincinnati. The Type 1 and Type 2 cards are a few years apart. This is the only T215-2 player that I am aware of that has any Type 1 font, and it's like this on both examples of the Type 2 Steinfeldt that I've seen. So what happened here? Any relation to how multiple Murr'y backs are found? Steve |
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#5
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Quote:
Last edited by ullmandds; 12-23-2018 at 08:11 AM. |
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#6
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Quote:
Piedmont? |
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#7
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I hope that my questions regarding the T215-2 Steinfeldt didn't contribute to this thread trailing off... There's some interesting stuff in here!
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#8
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Quote:
I've been away for Christmas. Good holiday with family ![]() There should be more Piedmonts. Interestingly, the old SGC pop report shows 7 SC backs for Murr'y. That there aren't more Piedmonts could be that they just haven't turned up. Or that Murr'y was on a smaller sheet that didn't see much Piedmont use. Or that Murr'y was printed on a sheet that was full size but intended for smaller brands, or before/after Murray on a normal Piedmont sheet and a handful get run as leftovers or fill to finish an order. And yes. It could be plate damage instead, but it just doesn't seem "right" for plate damage. Even if it was something like a stone chip grinding off part of the A there should be small chips/scratches around that area. Unless it's a result of some sort of shenanigans by the press operator stoning off part of the A..... But that's getting pretty far removed from the simplest explanation, which is often the closest to correct. A corrected Murr'y would be quite a prize if it's identifiable (As would a provable Murray before some damage) Mysteries like this are the biggest reason I want to really study each individual card in fine detail. Decent scans are really hard to get. I did a test with Magie, and came up with at least 8 individually identifiable groups. And could probably get to 12 with a closer look at more scans. Most 150's and 350's were printed at least 3 different times, with clear differences on some cards. I haven't really looked hard at the 350-460's but I'd expect at least two different for all but a handful of cards. |
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#9
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Thanks for all of the input everyone.
David, thank you for posting your card. That is a new one, I will add it to my first post. Any chance you have a scan of the Piedmont?? Great thoughts Pat and Steve. After thinking about what you have each added, I think I am more confused than when I started. ![]() Pat, you raise good points about this error only being at a single position on one sheet and the likelihood that it wasn't fixed after it happened (until the fronts were laid out again). Steve, I think it might be more than just improper transfer given the print dot from the caption that is next to the logo - that seems like the caption was printed and then something knocked a piece off, no? Another question: How likely is it that multiple presses were set up to run the cards? If it would have been extremely likely to have only been a single press, then that will help answer some question. Brass Rat Steve, that is a cool find and I have no idea what to make of it.
__________________
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#10
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I'll use the Davis AMEP as an example of why I think you have the
numbers you see on the Murr'ay's. The Davis AMEP is on one of the plate scratch sheets that based on the scratches I know is at least 12 same vertical subjects high So only one out of twelve Davis cards printed from this sheet would have the flaw. I have a Davis AMEP. Can't be too many of these around. I wish it would get some love... |
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#11
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Quote:
The stones were made using transfers printed from a master. Think like the old iron ons, or fake tattoos. Only printed with a very thick ink like tar onto an easily dissolved paper. It would get placed on the stone with solvent to make it stick, then the paper would be removed. The Murr'y would be from a position where most of the A peeled of along with the backing paper. That's what I meant by a bad transfer. It's entirely possible there were multiple presses set up. I think it's likely given the approximate production, and the typical sheets/hour the presses could manage. There's also a few things that point towards at least one multi color press being used. And that most cards went to press at least three times with slightly different art. And that the print groups now considered standard were a nice start, but not entirely accurate, just a decent basic framework to fit things into. I generally don't get into that stuff unless it's directly important to a discussion, as it takes an already complicated subject, and makes it even more complicated. |
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