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#1
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Is there a photograph of the Homer in the Gloamin'?
I'd like to see Steve Dalkowski throwing the ball through the wooden fence. |
#2
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Tom—I was actually referring to a different photograph, but the Conlon image of a player leading off first against the Cubs in 1908 is another example. I actually own the photograph, so I have a real incentive to push for the Merkle identification, but I believe very strongly that it’s Herzog and not Merkle.
I hadn’t thought of some of your examples, but like them all. Ken—here’s the Homer in the Gloamin’. Last edited by sphere and ash; 09-15-2018 at 09:13 AM. |
#3
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I wish there was a photo of Pee Wee putting his arm around Jackie walking off of the field
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#4
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Interesting you should mention that moment. After watching '42' I googled that image, as well as the images of Robinson and Chapman making up and a few others. The Robinson/Chapman photos do actually match up with the movie well, but as you say, it's disappointing to not find the Reese/Robinson.
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#5
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#6
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Not only is there no photograph of Pee Wee Reese putting his arm around Jackie Robinson, there is not a single mention of it in the contemporary press.
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#7
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Urban legend?
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#8
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There is some speculation that the event never happened. However, that’s how Jackie Robinson remembered it. I added that it wasn’t mentioned in the press to defend my conjecture that there hasn’t been a significant, newsworthy moment since Ray Chapman that hasn’t been photographed; if this event had been considered newsworthy at the time, it would have been mentioned.
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#9
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http://www.espn.com/blog/playbook/fa...robinson-in-47
A good article on the Pee Wee and Jackie question. Lester Rodney, writer for the Communist paper The Daily Worker, remembers the event though he only wrote about it many years later.
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42 Collection: Jackie Robinson, Branch Rickey and the People Who Shaped the Story https://www.flickr.com/photos/158992...57668696860149 |
#10
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In terms of pre-1920 historically significant moments, the closest we may come are the posed shots of Opening Day festivities, World Series opposing players and managers shaking hands, Chalmers Award (MVP) presentations, Honey Boy Evans trophy (highest BA) presentations, etc.
Images of these moments differentiate themselves from the standard portrait or full body news service photo because we can easily pinpoint specifics. For example, here's a shot from the HOF website of Eddie Collins receiving the 1914 AL Chalmers Award in Philly before the 1914 World Series. I spy 5 HOFers between the two teams, though there were more present: https://baseballhall.org/discover/in...-award-is-born ![]() And here's Honus Wagner receiving his Honey Boy Evans trophy in 1909. BTW, the HOF website notes that the trophy was presented in Pittsburgh, which is incorrect, it was presented in NY - which reminds me I've been meaning to get in touch with them on that:
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#12
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This was 1910 wasn't it? Not really a famous moment, but this was the one I thought of when you mentioned famous action shots.
I'd be curious if any photos of the 1919 World Series show any "fishy" moments. Seems like there'd have to be one. ty-cobb-072015-sn-ftrjpg_73dsfqts1kwj1nynns7ewt0bv.jpg |
#13
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Yes, it was 1910, but Conlon didn’t photograph the play because it was significant; it’s significant because Conlon photographed it. Despite nearly forty years taking baseball photographs, Conlon never photographed a newsworthy moment; he was primarily a portrait photographer.
The 1919 World Series helps support my conjecture: there isn’t an image of Morrie Rath being hit by Cicotte’s first pitch. During the 1920 World Series, by comparison, there are photographs of the triple play and the grand slam home run; the entire game was chronicled. Last edited by sphere and ash; 09-15-2018 at 02:04 PM. |
#14
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I don't know camera history well enough, but I suspect large film rolls and auto advance weren't available until well after 35mm became the standard.
I can give a bit of a glimpse at why any important event from the 70's on was probably photographed. A friend of mine worked at a camera shop that had a number of pros as clients. One did semi freelance work for one of the Boston newspapers. They'd give him a list of shots they wanted for articles, plus if anything special happened they'd pay extra. It seemed like a cool job, but after looking for the photo credits I was amazed at how many nice shots he got. So I asked how. The answer was that he always brought 3 cameras that had auto advance and worked from either a 1000 or 3000 image roll of film. He often ran two at once, and took somewhere around 10,000 images each home game. He'd usually have the rolls developed and remove the shots the globe wanted keeping the rest. So if say "Yaz batting" was on the list they'd get every frame he took during his at bats. When something special and unexpected happened he usually gave the paper the entire rolls of film undeveloped. I forget what it was exactly, but on particular one he actually left the game and brought the film directly to the paper. They developed it and had the picture in the afternoon edition, well before anyone else. yes, he was paid pretty well for that one. I'd love to find his file of negatives, assuming the weren't tossed out at some point. |
#15
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Well-said Steve.
Most of the greatest photos taken in the early 1900's were not of famous plays, but rather of famous players. The cameraman set up to maximize his chance for success, but we've all done that and ended up with garbage. In today's age of iphone photos, many people forget the time that was spent setting up a shot - lighting, depth-of-field, etc. for a roll of film that gave you 24 or 36 shots and you had to wait a while to get the prints back, and then you had to hope they didn't screw them up. If you look up what Ansel Adams did to set up a shot you'll get the extreme version, but a Charles Conlon effort was much closer to Adams than it was to a photographer even from the 1970's, much less a millennial with an iphone.
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