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#1
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I have seen a large number of early images and I don’t think I have ever seen a salt print outside of the 1850’s/1860’s. They were a difficult process that gave way to the more economical albumens. Salt prints are quite rare and hard to find for a reason.
Rob M |
#2
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Goodwin was based in New York. They could have easily sent an employee or two to retrieve a wagon load of ocean water every week, which would have been basically free. |
#3
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The salt print was the dominant paper-based photographic process for producing positive prints during the period from 1839 through approximately 1860. He made what he called "sensitive paper" for "photogenic drawing" by wetting a sheet of writing paper with a weak solution of ordinary table salt (sodium chloride), blotting and drying it, then brushing one side with a strong solution of silver nitrate. So it was obsolete by the time the cards in question were produced AND it was nowhere near the, grab some ocean water and you're good to go process that you seem to think it was, but rather a measured solution of salt water. While that may be inexpensive it's not brainless.
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Check out https://www.thecollectorconnection.com Always looking for consignments 717.327.8915 We sell your less expensive pre-war cards individually instead of in bulk lots to make YOU the most money possible! and Facebook: https://www.facebook.com/thecollectorconnectionauctions Last edited by Aquarian Sports Cards; 06-24-2018 at 08:26 PM. |
#4
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It would have been perfectly fine to use salt water and silver nitrate (or very diluted albumen and salt) instead of albumen and silver nitrate. |
#5
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1 a : no longer in use or no longer useful
__________________
Check out https://www.thecollectorconnection.com Always looking for consignments 717.327.8915 We sell your less expensive pre-war cards individually instead of in bulk lots to make YOU the most money possible! and Facebook: https://www.facebook.com/thecollectorconnectionauctions |
#6
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Hey "Set Builder"
Thanks, for detouring this thread.....24 of the 34 posts here dwell on your freaken "salt" discussion, which is totally inconsequential to this thread's topic. Why couldn't you have the common decency to start your own damn thread on your controversial subject matter ? ? TED Z . |
#7
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#8
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STOP right here and post your own thread, then you can continue your discussion till the moon turns blue.
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#9
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Double post.
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#10
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OK, hopefully this "N162 train" is switching back onto the mainline.
Thanks guys, TED Z . Last edited by tedzan; 06-24-2018 at 10:26 PM. Reason: Corrected typo. |
#11
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Hello Barry and Mark Both of you make some really great points here in your posts. Thanks to both of you for chiming in. Most sportscards issues enjoy a one (or less) year run. But, I can personally account for one issue that spanned two years. The very first color sportscards I collected as a kid were the 1948 LEAF Boxing issue, started in 1948. This set of cards were so popular, that LEAF had a 2nd major press run in 1949. Distribution of these LEAF cards was throughout the country well into the Summer of 1949. ![]() TED Z T206 Reference . |
#12
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![]() Rob M |
#13
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This is like saying that DVDs are obsolete, because we have blu-ray now. Would you rather give away blu-rays, or DVDs for free? |
#14
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Rob M |
#15
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![]() The OJ on the left looks like a very primitive salt print to me. |
#16
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I can post an image where the N172 is much clearer than the N173, that is just selective analysis. The bottom line is that N173s were first generation, the N172s second generation. They are both, however, albumin prints and BTW N172s all have a glossy finish to start with. If you subject the card to enough wear and tear it will look bad. If you actually handled an Old Judge small card instead of pulling theories out of the air you would already know this. As for cost, the cards in the Old Judge packs cost more than the cigarettes. Elimination of these premium's costs was one reason for the formation of the ATC.
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