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#1
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Please see my response I posted below from Henry. Also, I agree.. an electronic version would rule but who then would pay for all the hours putting it together? You can find them on ebay every now and again relatively inexpensive. It is by far the best resource for baseball photography so I would pick one up if you are serious in collecting photos even if you have to pay a premium. I think I paid 30-40 bucks for the last one I bought(other rone was too worn).
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[I]"When you photograph people in colour you photograph their clothes. But when you photograph people in B&W, you photograph their souls." ~Ted Grant Www.weingartensvintage.com https://www.facebook.com/WeingartensVintage http://www.psacard.com/Articles/Arti...ben-weingarten ALWAYS BUYING BABE RUTH RED SOX TYPE 1 PHOTOGRAPHS--->To add to my collection |
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#2
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The second photo is a Type II, according to Henry's book, which has that stamping as dating from 1955-57.
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#3
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Again.. Read My message with Henry's response within this thread. They are both type 1s
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[I]"When you photograph people in colour you photograph their clothes. But when you photograph people in B&W, you photograph their souls." ~Ted Grant Www.weingartensvintage.com https://www.facebook.com/WeingartensVintage http://www.psacard.com/Articles/Arti...ben-weingarten ALWAYS BUYING BABE RUTH RED SOX TYPE 1 PHOTOGRAPHS--->To add to my collection Last edited by Forever Young; 06-29-2012 at 05:39 PM. |
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#4
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How can they both by type Is if only one has typing on it?
Last edited by drc; 06-29-2012 at 06:47 PM. |
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#5
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(That was a joke by the way.)
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#6
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I think the most important thing to do before diving into serious photo collecting is to learn what goes into the terminology used and the methodology used to determine a photo's "Type," whether you choose to use the term "Type" or not. In the same way that you don't learn algebra just by looking at the answer key, or learn history by staring at a list of events with dates beside them, it would be quite difficult to learn to accurately analyze a photo just by reading the seller's description.
For one thing, sellers' descriptions are often wrong, or misleading (or both), as the sellers' primary objective is not always to educate the buyer. In no way am I including Henry Yee in that group, as his descriptions are typically accurate to a fault. But there are plenty of sellers (including auction houses) that make liberal use of the terms "original," "Type 1," "wire photo," etc when a knowledgable buyer can look at the scans provided and arrive at a far more precise (and accurate) judgement of the photo without being able to physically examine it. I would love to see a second edition of Fogel and Yee's book if for no other reason than to see more copies of it out there, available and being used. An expanded and refined catalog of stamping styles would also be helpful, but I wouldn't expect any radical changes to the "Type" classification system to be put forth. Last edited by thecatspajamas; 06-29-2012 at 06:54 PM. |
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#7
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Quote:
__________________
[I]"When you photograph people in colour you photograph their clothes. But when you photograph people in B&W, you photograph their souls." ~Ted Grant Www.weingartensvintage.com https://www.facebook.com/WeingartensVintage http://www.psacard.com/Articles/Arti...ben-weingarten ALWAYS BUYING BABE RUTH RED SOX TYPE 1 PHOTOGRAPHS--->To add to my collection Last edited by Forever Young; 06-29-2012 at 07:35 PM. |
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#8
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So Henry's book is wrong on the second stamping, which is listed as 1955-57, is that the story here?
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#9
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The story is Henry's book is outdated as it relates to this particular stamp. More has been learned since the book was published.
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[I]"When you photograph people in colour you photograph their clothes. But when you photograph people in B&W, you photograph their souls." ~Ted Grant Www.weingartensvintage.com https://www.facebook.com/WeingartensVintage http://www.psacard.com/Articles/Arti...ben-weingarten ALWAYS BUYING BABE RUTH RED SOX TYPE 1 PHOTOGRAPHS--->To add to my collection Last edited by Forever Young; 06-30-2012 at 06:33 AM. |
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#10
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Quote:
Above all, just posting a scan of the back will save everyone some headaches
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#11
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Quote:
These points are probably pretty obvious to the board members as most everyone here has been to the rodeo before.
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[I]"When you photograph people in colour you photograph their clothes. But when you photograph people in B&W, you photograph their souls." ~Ted Grant Www.weingartensvintage.com https://www.facebook.com/WeingartensVintage http://www.psacard.com/Articles/Arti...ben-weingarten ALWAYS BUYING BABE RUTH RED SOX TYPE 1 PHOTOGRAPHS--->To add to my collection Last edited by Forever Young; 06-29-2012 at 09:10 PM. |
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#12
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Quote:
Other posts in this thread have mentioned buyers demanding that a photo they win be backed by a guarantee that it pass PSA's 'type I' requirements. I understand such reasoning, but can't imagine sending a photo to a grading company to be hidden in a plastic case. Ask for a backscan, make a purchase decision, send it back if you think there was fraud involved. I personally have never even opened a copy of Yee's book, but I'm glad to hear everyone else has one - now when I sell my collection, I won't have to worry about identifying each photo by 'type', as you guys can simply look at my super-clear scans and do all that yourselves.
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$co++ Forre$+ |
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#13
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I've never been a fan of the type I, type II, etc classification, but do think Yee's book is good. Even if one plans to never adopt or use the PSA type system, the book has a lot of practical information. The type I et al is just the book's idiosyncratic way of classifying photo types.
Last edited by drc; 07-06-2012 at 01:07 PM. |
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#14
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Quote:
The second publication I got was the Fogel, Oser and Yee Guide which expanded the topics originally covered by David and provided even more examples of stampings, photographic images, etc. Although some may not have fully embraced the classification of four Types of photographs introduced in this guide (there are clearly shortcomings in certain instances), I have found it to be the best attempt yet to define photographic origin (and potential value) amongst the myriad of diverse photos that comprise the current marketplace. One of the joys that I get from collecting (aside from the items themselves) is the education and historical significance associated with each piece that I acquire. Sometimes obtaining this information requires a considerable amount of time and effort (which I embrace) but when a well-researched guide can provide a significant body of information on specific topics I can only view it as a plus for collectors. One of the essential features in collecting anything is a cogent base of related information and for me the above mentioned guides and publications have certainly enhanced my abilities to more fully understand, appreciate and evaluate vintage photos. Craig |
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