Quote:
Originally Posted by Pat R
I think the reason that both Shad and Jack Barry have low Sweet Caporal pops is because they were skipped in one or more of the Sweet Caporal stages.
This is just my opinion but I've said it before that I think there were several stages of printing in each print group and I think one of the stages involvedaround 25-30% of the Old Mill and Sweet Caporal 350/30, 50-75% of the Sweet Caporal 350 factory 25's and around 5-10% of the Piedmont 350's. Both Barry's are unconfirmed Old Mills and I think they weren't in that print stage and that's the reason for their low Sweet Caporal numbers.
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That is really interesting. Has there ever been any actual confirmed writing about how the print process worked in detail? I know assumptions have been made about sheet size (based on your plate scratch work) and we've been able to draw some assumptions based on populations (the super prints and the exclusive 12)
Finding those old records/details about how subjects were selected, how the print runs were ordered, etc, would truly be the holy grail to me. Reading the rationale for why so few Drums were printed, why more Polar Bears were printed compared to EPDG, etc etc. That is the stuff I am truly most interested in.