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  #1  
Old 10-17-2017, 03:08 PM
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JollyElm JollyElm is offline
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Tim, from a production standpoint, I have a question for you. Your incredible works are tantamount to impressionist paintings in a museum. From a distance you get a clear image of the subject, but when you get close up you see the work is comprised of brush strokes and dabs of paint, etc. When you are creating a piece, how often are you stepping way far back from it to make sure the weird colored shreds of baseball cards (your 'brush strokes' as it were) are achieving the desired effect from a distance?? I imagine the floor leading up to and away from your easel is just worn the heck out. Ha ha.
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  #2  
Old 11-13-2017, 12:04 PM
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No idea how I missed these responses/questions - so sorry I'm just now getting to them!

Quote:
Originally Posted by kvnkvnkvn View Post
This is why I love humans...Great work...
Thank you! Agreed. Everybody has something they do better than everyone around them. Some just haven't realized it yet!

Quote:
Originally Posted by baseballfan View Post
great piece, can't wait to see the next one
Thank you!

Quote:
Originally Posted by invest View Post
Considering they are two of my favorite all time cards (along with my son's favorites) I had to have these. Outstanding work as always Tim

Troy
Troy, I'm honored to have those hanging on your wall.

Quote:
Originally Posted by greco827 View Post
Amazing!!! Just amazing!!! The artistic talent, patience, and vision of what you do blows my mind! If you ever do an '84 Topps Mattingly or '71 Topps Thurman Munson, let me know. Not sure what it costs to commission such a thing, but I'd definitely be interested!
Thanks! I'll be sending you some information shortly on both the Mattingly and Munson. Both would be extremely time-consuning due to the full body action poses, and in the case of the Mattingly, an extremely small portrait to boot. I've always wanted to work the 1976 Topps Munson. That's a card that lends itself well to what I do. I'll be in touch soon.

Quote:
Originally Posted by Ronnie73 View Post
I agree on the 1984 Topps Mattingly. He's not only my favorite player of all time but the 1984 Topps was the first real set I collected from packs as a kid. I think the 1971 Munson would be difficult with all the background noise in the picture but I'm not the expert, Tim sure is. Incredible work and talent.
Bingo on the Munson. It can be done, but I have a pretty good grasp on which images would be captured realistically, and which would be more of a representation. The Munson would definitely be a representation with far less detail than some of the other pieces I have finished. The 84 Topps Mattingly would challenging as well. Cutting the intricate pieces that make the flip shades, his fingers, the smallest of pinstripes, etc. And then there is the portrait in which his likeness must be nailed. I really appreciate the kind words!

Quote:
Originally Posted by JollyElm View Post
Tim, from a production standpoint, I have a question for you. Your incredible works are tantamount to impressionist paintings in a museum. From a distance you get a clear image of the subject, but when you get close up you see the work is comprised of brush strokes and dabs of paint, etc. When you are creating a piece, how often are you stepping way far back from it to make sure the weird colored shreds of baseball cards (your 'brush strokes' as it were) are achieving the desired effect from a distance?? I imagine the floor leading up to and away from your easel is just worn the heck out. Ha ha.
Great question, and one I do not get as often as others. Believe it or not, my iPhone becomes my best friend in saving me steps. Holding the phone up and viewing it through that camera lens where the image is compressed makes a world of difference. That keeps me by the drafting table, lol.


By the way, it isn't an iconic card, but this is a piece I had to get right. I worked the following over the last few months during the day when my wife was away and my kids were in school. I surprised my youngest with this (working on the other kids). This one measures just under 3 ft x 3 ft. My 10-year old son, Mason:

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  #3  
Old 11-13-2017, 03:19 PM
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tim...that is A-mazing!!!!!!!
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  #4  
Old 11-14-2017, 07:50 AM
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Quote:
Originally Posted by ullmandds View Post
tim...that is A-mazing!!!!!!!
Thanks, Pete!
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  #5  
Old 11-14-2017, 08:18 AM
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Quote:
Originally Posted by ullmandds View Post
tim...that is A-mazing!!!!!!!
+1 Your work seems to get a little better with each piece.
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  #6  
Old 11-14-2017, 08:39 AM
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Quote:
Originally Posted by bnorth View Post
+1 Your work seems to get a little better with each piece.
I was thinking that too. Not that your earlier work isn't good, but we're literally watching you perfect your craft a little more with each piece. Thanks for taking us on the ride!
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  #7  
Old 11-14-2017, 09:00 AM
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Quote:
Originally Posted by bnorth View Post
+1 Your work seems to get a little better with each piece.
Quote:
Originally Posted by conor912 View Post
I was thinking that too. Not that your earlier work isn't good, but we're literally watching you perfect your craft a little more with each piece. Thanks for taking us on the ride!
From people that have seen my work before, this kind of compliment means everything. I aim to be a lifelong learner in every aspect; it's just more public within the art side of things. Thank you both for the consistent words of encouragement and support.
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  #8  
Old 11-14-2017, 02:35 PM
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You realize you've just ruined fatherhood for everyone else out there, don'tcha? Now when a dad puts a snapshot of his son on the fridge, the response is going to be, "WTF, Dad??? Just a measly photograph???? Are you kidding me???? Don't you know what Tim Carroll does for his son??? Come on, man!!!!!!"
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All the cool kids love my YouTube Channel:
Elm's Adventures in Cardboard Land

https://www.youtube.com/@TheJollyElm

Looking to trade? Here's my bucket:
https://www.flickr.com/photos/152396...57685904801706

“I was such a dangerous hitter I even got intentional walks during batting practice.”
Casey Stengel

Spelling "Yastrzemski" correctly without needing to look it up since the 1980s.

Overpaying yesterday is simply underpaying tomorrow.
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  #9  
Old 01-09-2018, 06:25 PM
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Quote:
Originally Posted by conor912 View Post
I was thinking that too. Not that your earlier work isn't good, but we're literally watching you perfect your craft a little more with each piece. Thanks for taking us on the ride!
I think Tim was pretty damn perfect two years ago.
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  #10  
Old 01-10-2018, 08:50 AM
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Quote:
Originally Posted by CobbSpikedMe View Post
Your work is unreal Tim. Great Job on all of these pieces.


AndyH
Thank you, Andy! If you ever get the itch to have one of those T206 backs with purple stamps hanging on the wall, let me know.

Quote:
Originally Posted by Peter_Spaeth View Post
I think Tim was pretty damn perfect two years ago.
Thank you, Peter! Very proud you are still enjoying the Babe. You will find humor in knowing that the time I spent with the blue on the 48L Musial was on par with that 33G green!
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