Japanese HOF Project

[nat]

Shinichi Eto was a 1B/OF and occasionally a catcher who played for the Dragons, Orions, Whales, and one season with the Lions, from 1959 to 1976. Offensively he was a solid all-around player, eclipsing 2000 hits (by a small amount), hitting 367 home runs, and posting a career line of 287/358/484. His career began in the industrial leagues, but it was only two years before Chunichi drafted him. It was a good choice, he went on to be an 11x all-star, a 6x best-nine, and a 3x batting champion. Albright ranks him as the third-greatest player of the 1960s (after Oh and Nagashima), and regards him as tied for the 27th greatest player of all-time.

Eto was, in some ways, a difficult person. His departure from the Dragons was a result of a dispute with his manager, Shigeru Mizuhara. After their run-in Eto retired (I guess out of spite) but changed his mind during the off-season. The Dragons, however, decided that their star was more trouble than he was worth, and traded him to the Lotte Orions. After he retired (for the second time) Eto ran a youth baseball academy, struggled with alcoholism, and died of liver cancer at the age of 70.

I'm going to go out on a limb and say that the card is from the JCM 13c set. It's a pretty ordinary 1960s menko set. This card, however, is a good excuse for a little rumination on my part, so please bear with me. Grading, for better or for worse (okay: for worse) has a place in our Hobby. I wouldn't buy a 52 Mantle or a Goudey Ruth unless it was in a holder. But I'd like to be clear that I did not send this card in for grading; it, like all of my graded cards, was bought that way. Now, grading menko cards is preposterous for reasons that extend even beyond the ordinary problems with grading cards. This card was originally cut with scissors; whether in the factory, by a sales clerk, or by a little kid, I don't know, but menko cards are all hand cut. And there is simply no chance that a card which was cut with scissors half a century ago (and which subsequently found its way over the Pacific Ocean) has those edges. It's obvious that what happened here is that someone found a 1963 JCM 13c card of a hall of famer with wide borders, and took an exact-o knife and a T-square to it with the intention of submitting it for grading, in order to get a high grade and thus increase its value. (Didn't work: I paid less than $10 for this card.) I like baseball card collecting as a hobby, but I dislike everything about it that makes it a Hobby. And although it certainly looks nicer than it must have when it had wide borders and ragged edges, I like this card a lot less than I would have had I owned it in its original state. Every time I look at it I think that someone who was looking for a quick buck mutilated this card. I've even thought about cracking it out of it's case and scuffing up those perfect corners, but that wouldn't help any, I'd just remember that I was the one who had done that. So in its plastic tomb it stays. Most of my cards are in binders, but my handful of graded cards are on display (since they won't fit in binders). Having a Japanese card on display makes for a nice conversation piece. Now, anyone who is likely to be a guest at my house is already aware that I'm a dork, but this card will confirm for them that I'm at least a cosmopolitan dork.

[seanofjapan]

Originally Posted by nat

I'm going to go out on a limb and say that the card is from the JCM 13c set. It's a pretty ordinary 1960s menko set. This card, however, is a good excuse for a little rumination on my part, so please bear with me. Grading, for better or for worse (okay: for worse) has a place in our Hobby. I wouldn't buy a 52 Mantle or a Goudey Ruth unless it was in a holder. But I'd like to be clear that I did not send this card in for grading; it, like all of my graded cards, was bought that way. Now, grading menko cards is preposterous for reasons that extend even beyond the ordinary problems with grading cards. This card was originally cut with scissors; whether in the factory, by a sales clerk, or by a little kid, I don't know, but menko cards are all hand cut. And there is simply no chance that a card which was cut with scissors half a century ago (and which subsequently found its way over the Pacific Ocean) has those edges. It's obvious that what happened here is that someone found a 1963 JCM 13c card of a hall of famer with wide borders, and took an exact-o knife and a T-square to it with the intention of submitting it for grading, in order to get a high grade and thus increase its value. (Didn't work: I paid less than $10 for this card.) I like baseball card collecting as a hobby, but I dislike everything about it that makes it a Hobby. And although it certainly looks nicer than it must have when it had wide borders and ragged edges, I like this card a lot less than I would have had I owned it in its original state. Every time I look at it I think that someone who was looking for a quick buck mutilated this card. I've even thought about cracking it out of it's case and scuffing up those perfect corners, but that wouldn't help any, I'd just remember that I was the one who had done that. So in its plastic tomb it stays. Most of my cards are in binders, but my handful of graded cards are on display (since they won't fit in binders). Having a Japanese card on display makes for a nice conversation piece. Now, anyone who is likely to be a guest at my house is already aware that I'm a dork, but this card will confirm for them that I'm at least a cosmopolitan dork.

I am in 100% agreement with you on graded cards. One thing I do like about the Japanese hobby is that almost nobody here gets their cards graded, as evidenced by the sparse populations of graded cards from the classic sets on PSA.

Another reason it makes so little sense with regard to Menko is that those cards were specifically designed to be damaged by kids throwing them at the ground!

[steve B]

So the menko cards were all hand cut?

The very few I have were bought all together as a flea market lot, and they all seemed factory cut to me. I wouldn't have even thought they were cut by hand.

[nat]

"So the menko cards were all hand cut?"

As far as I know, yes, they are, but I'm certainly open to being corrected on this point. (Sean?) All of mine are hand cut (I assume that's what 'H/C' refers to on the Eto flip); and uncut strips and sheets are pretty common. Now, all of the menko cards that I've seen are from the 60s or before, maybe they started factory cutting newer ones? (Not that they made many baseball menkos after the 1960s.)

Sean: I took a look at your blog links. So they literally took stills from TV broadcasts. That's really amazing. And they'd been at this for 15 years at that point, you think that they would have a regular source for photos lined up by then.

No new cards for today, but what I do have is a map with the location of each of the current Japanese teams marked on it. Central League teams are at the top, Pacific League teams below. I hope that the color coding is clear enough. There are some exceptions here*, for instance, the Fighters occasionally play "home" games in Tokyo. In fact, you'll notice that a LOT of teams call the greater Tokyo metro area home. Which, I suppose, makes sense given the population density. Japan has 127 million people (so, a bit under half of the US population) squeezed into 145 thousand square miles (roughly the size of Montana, a bit smaller than California). AND, the middle of the county is full of mountains. That makes for a lot of people all in the same place.

*The Buffaloes have two home fields. They're close together, but I've marked them both.

[seanofjapan]

Yeah, it’s pretty crazy that they went so far as using TV screen shots. You could almost make a hobby solely out of cataloging odd photo choices by Calbee!

About the Menko, I have come across more recent (1980s) ones that were factory cut, but I am pretty sure most or all of the vintage stuff pre 70s were sold as sheets and then cut by hand. I can’t say for sure that all were as there might have been the occasional exception, but that was definitely the standard practice.

[nat]

Morimichi Takagi had a 21 year career playing for the Dragons. He was a second baseman with some power and some speed, but no on-base skills. Takagi started out as a lead-off type hitter, stealing 50 bases as a 21 year old in 1963, but over time his speed dropped off and power developed. (This is pretty normal as players age.) But he never did develop a lot of power, topping 20 HRs in a season only twice. Seven times he was selected for the best-nine, which is a record (shared with Chiba, more on him in a future post) for second basemen.

After retiring he managed the Dragons on-and-off, posting a total winning percentage of .524, and retiring for (I assume) the last time in 2013.

Here is some video of Takagi. It's been ages since I took Japanese, so I don't know what they're saying (beyond the occasional 'so desu ne', which is a kind of positive-but-non-committal thing you can say), but the Dragons player wearing #1 is Takagi. (The caption underneath the video says that it's about Takagi and somebody else.)

The card is an uncatalogued menko. It has the same size and shape as the "pillar" menkos that were popular in the late 1940s, but this card is obviously much newer than that. (Not least because Takagi didn't start playing until 1960.) The guy I bought it from thinks it's from the 60s; I suppose that's a good guess, if for no other reason than not many baseball menko sets were made in the 1970s.

[steve B]

I really have to scan mine. I have all of one baseball player menko, the rest of the handful are non-sports. I'd really like to be able to at least name the subjects.

I think they're late 50's. I found the baseball player at one point a few years back, but have forgotten who he is. Got to remember to write it down next time I find out.

[Jeff Alcorn]

Hi,

I have enjoyed following this series very much, and have a few notes that might be helpful (I hope)-

1973 were not Calbee's first cards, they actually produced some in the early 1950s that are quite difficult to get (I don't have any).

On Keith's Katsuya Nomura card from 1958, the other player wearing #5 that is greeting Nomura at home plate is not Katsuya (that is Nomura's first name) but outfielder Yoshio Anabuki. Anabuki later managed the Hawks and he also appears in the 1967 Kabaya-Leaf set.

Isao Harimoto played his entire career in the Tokyo area with the Flyers/Fighters, Giants, and Orions. The Flyers/Fighters were always in Tokyo until moving to the Sapporo Dome on Hokkaido in recent years, and the Orions were in Kawasaki which is in the Tokyo area.

The Koji Yamamoto card is from the 1976 All-Star Series and shows him scoring for the Central League with Pacific League catcher Katsuya Nomura in the background.

The Morimichi Takagi card cannot be from the 1960s since the Dragons first wore the uniform with the shoulder and side blue stripes in their pennant winning year of 1974. There are a number of anonymous menko issues from the mid-70s, and many of them were made using pirated Calbee photos that had already been issued as Calbee cards. The photos will usually lack clarity since they are photos of photos and will never have a printer's name on them.

Finally, I would like to make a comment about the cutting of menko cards. These cards that were issued from the mid to late 1950s through 1964 were not released as singles but came in uncut form in various amounts- 2, 4, 6, cards etc. The cutting was done by the purchaser, and some can still be found in uncut form. The cover of Gary Engel's 6th edition guide shows a display of uncut cards as they would have been available in a shop.

As an obvious result, the cards have various dimensions and can be found with wider borders on the sides or top, angled cuts, etc. As a general rule, the cards that were not imported to the USA in the 1960s tend to have less uniform dimensions and the cuts can range all over the place. However, the sets that were imported in the 1960s were carefully cut and are much more standardized in size and overall condition. They were sold in set form to collectors here and many remained together as sets for decades and were never played with by Japanese children.

The collectors that brought these menko cards here at the time they were released in Japan, along with the 1964 Morinaga Top Star cards, Fujiya Gum cards and the 1967 Kabaya-Leaf cards, were Bud Ackerman and Mel Bailey. Bud was responsible for the menkos that came here and Mel brought the Morinaga, Fujiya, and Kabaya-Leaf.

The Shinichi Eto card shown in the graded holder has the stamped number 9 on the back. Bud and his family cut these cards and stamped a number on the back of each card. When they sold the sets a numbered checklist that corresponded to the stamped number on each card was provided to the purchaser. Anytime one of these cards is found with the stamped number on the back it went straight from the shop to the Ackerman's house where it was cut, stamped, and bundled into sets of 40 different and sold to collectors in the USA that way.

The result is ,of course, that the imported menkos, Kabaya-Leaf cards, Morinaga Top Star and Fujiya Gum cards are usually in pretty good condition since they were never owned by the general public but were bought by Bud Ackerman or Mel Bailey from shops in Japan or direct from the producer (in the case of most of the Kabaya-Leaf cards). There should be no fear that this card was cut down from a ragged form to get a grade. All of the imported menko cards I have are in the same condition, and the cuts are quite uniform with only a few variances. This should also account for why the cards found by Steve at a flea market were cut so well- if they were some of the imported cards brought in by Bud or Mel in the 1960s.

I hope that this information is of interest, and please continue this great series, I love seeing cards I do not have and reading everyone's contributions.

Jeff