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#1
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Posted By: Gilbert Maines
It seems to me that the evaluation of a baseball card's condition depends only on physical factors associated with the card. If so, these physical factors can be measured. Once measured, an evaluation system can be established and employed to define the card's grade based only on measured variables. |
#2
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Posted By: Bryan
I tend to see that certain cards get different treatment depending on the year and who made it. For example, I have seen 53 bowman color cards get higher grades than other cards in the same condition - the reason I got was that it is very hard to find these cards in high grade and that they are easily "roughed up." Do grading companies grade cards differently depending on what it is? It seems to be this way. I think that this goes the same way for some of my E cards as well. |
#3
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Posted By: FatBoy
I totally agree with Bryan. |
#4
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Posted By: petecld
You want merciless? |
#5
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Posted By: warshawlaw
Ever seen a nm OJ? Usually yellowed to some degree, right? The cards were practically white as issued (every once in a while you run across one that has been hiding in the dark w/o much air or acid to affect it, and they are white). What is up with the tolerance for toning? |
#6
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Posted By: Gilbert Maines
Not everyone feels that toning results in a negative impact on a card. To me, it depends on the asthetics of the coloration. Ive seen some cards look better and others worse, after toning. |
#7
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Posted By: Bryan
It may be me not knowing much about OJ cards but I have never seen a white colored OJ card. I guess I always thought that the cards were printed in a yellowish format. I guess I am showing my ignorance on this one. Does anyone have a picture of one that is almost white that I can see? |
#8
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Posted By: Scott Forrest
but I think if you saw a '34 Goudey with snowy white borders, next to one with heavy toning, you'd take the one that wasn't showing it's age. |
#9
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Posted By: hankron
The Old Judges are little albumen photos. When originally made, the albumen photos were naturally closer to black and white (had some light grey or browish or even publish tones). The sepia/yellow tone is due to aging. |
#10
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Posted By: hankron
It is worthy to note that the sepia/yellow is not a generic sign of old age for photos, but is eccentric to the albumen and a couple of other processs. Caused, in part, by a particular chemical used on the photo paper. The many 19th century photographs that did not use the chemical (platinum prints, carbon prints, cyanotypes) did not gain the same sepia tone with age. |
#11
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Posted By: Jay Miller
David--If you are talking about the SGC98 Alcott, the card was originally pulled from a pack by Al Rosen. It was only after several transactions that the card ended up with BMW. The back of the card was badly stained (nice job of grading by the old SGC group |
#12
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Posted By: hankron
As toning is natural and expected on Old Judges and similar, I tend to beleive the image (if it's to be graded) should be judged on overal clarity, contrast and attractiveness. Color and darkness will vary from card to card, but if the image is sharp and dark and detailed, that's what counts. Certainly, if there is a distracting pattern to the toning (dark one part, light another) or there is heaving foxing that likely effect the grade. |
#13
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Posted By: Joe P.
No where do I see: |
#14
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Posted By: Gilbert Maines
I agree. One grade should reflect the state of preservation of the card, and the second should detail the adequacy of the manufacturing ie. intensity of color, contrast, focus, cutting irregularities, print lines, other manufacturing errors (including wrong player shown). These grades can be divided into decimal increments of 9.0 - 10.0 applied to unused cards, for example. |
#15
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Posted By: Bryan
Correct me if I am wrong but does there exist a copy that is in black and white and not sepia toned? Maybe one does exist but has anyone seen it? I'm just curious to see one. |
#16
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Posted By: hankron
He would drop all the papers from the top of the staircase. The one that went the furthest got an A. The one that went the least far got an F. |
#17
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Posted By: Gilbert Maines
I would offer to you a link, but Im not sure how to do that. So: Dave's Vintage Baseball Cards is a dealer's site which shows lots of Old Judges which demonstrate all toning gradients from b/w thru much darker shades. |
#18
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Posted By: Julie Vognar
originally black and white? I thought sepia..with a few exceptions. |
#19
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Posted By: Gilbert Maines
Were the pink Old Judges originally colored pink, or did that coloration develop with time? |
#20
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Posted By: MW
Gil, |
#21
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Posted By: hankron
The sepia came with time. The pink was original (blue and yellow and other such colors would be natural as well). |
#22
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Posted By: Scott Forrest
How bad would color/registration have to be to get the grade reduced? My understanding is that a card could have perfect corners and gloss, no creases, and get a high grade regardless of a fuzzy or light image. Same probably goes for lithographs, but what if, on a t206 portrait, Cobb's eyes were down on his neck somewhere - could it still get a "10"? |
#23
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Posted By: hankron
It's no doubt tough grading 1-10 an Old Judge when including image clarity (Most Lone Jacks have naturally very light images, are they all automatically downgraded to no better than Ex?). It's not an issue that the PSA think tank should lose sleep over. However, I think most would agree that a Mint 9 or 10 Old Judge shouldn't have a bad image no matter how sharp are the corners. |
#24
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Posted By: Gilbert Maines
My current thinking is that a mint grade should be associated with a card which has not been handled. This is independent of all other factors. Mint condition is mint condition. There are damaged mint cards. There are mint cards with poor color, clarity, and all other potential manufacturer errors. There are also cards in mint condition which have been partially or substantially destroyed. |
#25
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Posted By: hankron
What's worse, grading something on a 1-10 scale or the collectors who takes the 1-10 grade too seriously? I'd pick the later every time. |
#26
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Posted By: T206Collector
The whole purpose of grading is not to establish that a 4 is always a better card than a 3. Collectors who think that really miss the point. The purpose is as follows: |
#27
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Posted By: shoo
Cant a card be a psa4 or sgc50 and have no creases Im not big into collecting graded cards so I have only a few. I have a sgc 40 and it has no creases its very nice card for its grade Im not sure how to upload a scan Ill figure it out and leave a scan |
#28
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Posted By: shoo
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#29
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Posted By: Gilbert Maines
I agree that the grading scale should not be redefined. I contend that the grading scale would be improved by a clarification of the description of factors which impact each grade, and where warranted for clarity, an expansion of the subdivisions within a grade may be indicated. |
#30
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Posted By: Howie
A perfect grading system is impossible. The inadequacies perceived in the current systems exist because collectors are still allowed to have their own opinion on the qualities that are personally important to them. The perfect grading system would require that everybody viewing a card would have the exact same opinion of the card. When a grading company renders their opinion you don't have to agree with them every time. If you disagree it doesn't mean they are wrong or that your grading skills are superior to them. It doesn't mean everyone will share your opinion. If I wanted my VG cards to have 50-50 centering with no creases that's my perogative. Every card, collector, and opinion is a little different. It gets old reading about people trying to force their own personal opinion on others. Kind of like politics. |
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