Why do you collect what you collect?

[Exhibitman]

I started collecting when I was a tyke, with Topps baseball and football cards. My first big year for those sports was 1971. In 1972 I started ripping packs of basketball cards. 1975 is the year I started buying hockey cards in earnest. I quickly moved on to the chase for older cards. My uncle gave me The Great American Baseball Card Flipping, Trading and Bubble Gum Book (Little Brown, 1973; Brendan C. Boyd & Fred C. Harris) and I read it until it fell apart. It was my first real exposure to the art of golden age Topps and Bowman and those cards were now on my radar. I found The Complete Book of Baseball Cards: For the Collector, Flipper and Fan [1975; Steve Clark] and was hooked on T cards.

My first card show was Thanksgiving 1976 at the Roosevelt Hotel in New York, sponsored by the ASCCA. I’d become a Willie Mays fan when he returned to New York in 1973, so my first great project was to collect an example of every Mays card. I finished the Topps run at that show with the 1952 and 1953 cards. My mother nearly ripped my father’s head off when she found out that he loaned me $45 to buy them.

We moved to L.A. in 1977. I quickly became involved with the West Coast Card Club, which held monthly meetings in a church basement and later a social hall in Northridge. I also lucked into several collections that were given to me by family and friends.

My collection at that point was pretty much about the four sports, Topps, Bowman and a smattering of T cards. It was during that time that I focused on a few Western regional issues that have ever since fascinated me: Zeenuts, Bell Brand, 1968 Atlantic Oil.

I put away the cards after the 1980 baseball season and really did not return to them for nearly a decade, when I decided to attend a massive show at the Moscone Center in San Francisco as a welcome diversion from law school. When I returned to L.A. after graduating and got a job and started having disposable income, I really got back into collecting, aided by the abundance of shows. It was a rare weekend that I did not have at least a show a day to attend.

My collecting changed immeasurably around that time owing to two meetings at shows. At one, a fellow had 1948 Leaf cards of Barney Ross and Benny Leonard. I sort of knew that boxing cards existed but seeing these, I was instantly smitten. I bought the pair for a few bucks and took them home to show my father. He looked at the Ross card and said the words that changed my collection forever: “I think my cousin Ray fought him.”

You could have knocked me over with a puff of air. “Dad,” I said, “if you have a cousin who was a boxer that means I have cousin who was a boxer.” He then told me about Ray Miller for the first time and I realized that I was related to a world-class athlete. That started the boxing card thing.

The other collection-changer for me was meeting an old-time collector named John Spalding. Some of you might have known John. He was a collector from the Bay area with a strong background in PCL history and sports. But that isn’t what got me interested. It was his album of prewar Exhibit cards. I knew of and had collected the postwar cards from time to time, but I’d never seen anything like these. Over the course of several shows I purchased stacks of them from John, while making a general pest of myself picking his brain about the issue and others as well.

So what do I really collect? Well:

--A world boxing type card collection and postcard type collection, represented whenever possible by favorite fighters Benny Leonard, Joe Louis and Jim Jeffries

--Some boxing memorabilia, mostly premiums.

--A boxing HOF collection represented by career-contemporary cards whenever possible, which I use as the backbone of the type card collection (e.g., I have a type card from the 1931 Bigott set from Venezuela that happens to be HOFer Pedro Montanez).

--Some prewar baseball cards and ephemera,

--Exhibit cards from all sports and some entertainment sets too.

--Postwar mainstream collections of baseball, basketball, football and hockey, especially the 1970s

--Autographs and cards of musicians and comedians i admire.

I really don't 'do' sets except for a few quixotic pet issues: H815 Adam Hats, 1950s Rodine baseball PCs and premiums, 1904 anon. boxing cabinets, 1910 Rob Roy Jeffries-Johnson, pre-1907 D & K boxing PC, 1968 Atlantic Oil baseball (down to the prize-winner SSPs). And I am three portraits from my T206 HOF portraits set (not counting Plank and Wagner, of course). Added Joss and McGraw in the recent LOTG.

And since every thread needs a card, here is the Rodine premium with Ruth, Grove, etc.: