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#1
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Just so sad these cards have been ruined. Sadly, this one doesnt even bother me as much as the trimming and recoloring. I guess Brent's tenets about restoration are numbing me into silence.
This one did the ole pwcc to probstein flip. I'm sure if the detectives follow that trail, they will find some other fraud going on.
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"Trolling Ebay right now" © Always looking for signed 1952 topps as well as variations and errors |
#2
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Do the creases eventually re-appear when a card is pressed like this?
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Contact me if you have any Dave Kingman cards / memorabilia for sale. |
#3
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I doubt it, but I would think the thickness of the card would be altered.
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#4
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Susan Cicconi Sothebys restoration expert bragged on facebook that she altered this card (and many other 40s, 50s, and 60s cards) and that this one got through PSA. It is on her resume that she "restores" baseball cards for the auctionhouse.
Maybe this is one of those famous conservators Brent was talking about that he wants to bring to the masses under his new Marketplace Tenets. PWCC leading the field in fraud again.
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-- PWCC: The Fish Stinks From the Head PSA: Regularly Get Cheated BGS: Can't detect trimming on modern SGC: Closed auto authentication business JSA: Approved same T206 Autos before SGC Oh, what a difference a year makes. |
#5
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It’s for sale now on eBay for $2500 if anyone wants to buy the “evidence.” And, no, it’s not mine.
Is there anyone who tries to earn an honest buck anymore? |
#6
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Lol, so the buyer probably saw that his purchase was altered, and now is trying to not only sell it, but to sell it for a premium to what he paid.
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#7
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He should sell it for even more. Then PSA's liability is even higher. Why PSA hasn't recalled all these cards by known doctors and PWCC conservators and told auction houses to stop auctioning their tainted products seems like something the SEC would be interested in.
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-- PWCC: The Fish Stinks From the Head PSA: Regularly Get Cheated BGS: Can't detect trimming on modern SGC: Closed auto authentication business JSA: Approved same T206 Autos before SGC Oh, what a difference a year makes. |
#8
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Here is the solution tho this mess. And make no mistake this is a disaster. However we cannot undo what has already been done. If we want to stay in the hobby we need to assume that ALL graded cards are altered unless proven otherwise. The TPGs created this mess but if we want to stay and enjoy the hobby we need to reassess what a graded card is worth. I will be developing a new scale for what a graded card is.
For example a PSA 8oc used to = a PSA 6 and we paid accordingly. Basically that was the rule of thumb. Now my new grading scale will be the same 2 point deduction. Sort of similar to a gymnastics scoring. PSA 7 old = PSA 5 today PSA 2 old = PSA authentic today No such thing anymore as a PSA 9 or 10. Those days are gone thanks to 18 year old graders with no clue. These grading companies do not need a curtain to hide behind anymore at the National. We know that the kids looking at these cards are 18 year olds with back packs munching on Oreo's. |
#9
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#10
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:::edit::: I had her website link there but it's easy enough to find w/Google Even as one who is likely not to be directly affected by all this nonsense, the whole thing is just depressing as hell. And getting more so every day. ![]()
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"When the seagulls follow the trawler, it's because they think sardines will be thrown into the sea. Thank you very much." -Eric Cantona Last edited by commishbob; 06-27-2019 at 09:26 AM. Reason: ugh |
#11
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Actually, her radio interviews are interesting. People should listen.
http://www.comiczoneradio.com/susan-cicconi.html Three interesting points are she specifically calls conservation a type of restoration; she says any work, including conservation, has to be disclosed; and she says any work done to the item (including pressing out a wrinkle) is restoration/conservation and has to be disclosed. She said she's a professional conservator/restorer, so any work she's paid to do she says is conservation/restoration. If you ask her to remove a piece of scrapbook paper from a card, she would call that conservation/restoration that she would disclose. She basically considers 'restoration' and 'conservation' to be different variations of the same basic thing-- and lumps them together under the same heading: work done to an item. She talks about comic books and, in answer to a call in question, she calls removing a collector's pen or pencil mark to a card be restoration/conservation, in part because she said she finds it impossible to believe you aren't removing some of the surface of the item. And, even if you could remove the pencil or pen mark without removing any of the card, she catalogs it is conservation/restoration because you're doing work on the card. So as a professional restorer/conservator for Sotheby's she's pretty hardcore-- including more hardcore than most baseball card collectors--, and what she says refutes PWCC's 'tenants.' 1) She would not separate 'conservation' and 'restoration' as PWCC tried to do, and she'd say "Of course it (anything done to a card) has to be disclosed." And she'd refute PWCC's retoric about "bringing back a card to its original state" and "any work that cannot be detected." She would say you can't do work to an item (including removing errant ink or removing scrapbook paper) without physically altering the original item is some way. And she's clearly against non-professionals doing the work, as amateurs can, and often have, damaged the items by doing ignorant stuff. And, in response to a call in question about pressing comic book pages, she implies that CGC is wrong for not disclosing certain types of restoration/conservation in their grades. From the discussion with the caller, it's apparently also controversial within the comic hobby that CGC doesn't disclose it. And listening to her talk how she does her work, I'm certain she disclosed in writing what she did to the Ruth card. She says she produces a form listing/checklisting all of the work she did to the item, no matter what is the work. The omission of that information (whether when submitting for grading and at sale) would have been done down the line. But she also talks about the processes, which is interesting. As Sotheby's collectibles restorer/conservator/preservationist, she'd provide most useful expert testimony in a lawsuit or prosecution. And as an added bonus she basically refutes everything the "maturing the hobby/watch this CGC video" PWCC defenders posted on Net54. I predict that provenance will become integral to the hobby and grading. Last edited by drcy; 06-27-2019 at 12:07 PM. |
#12
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![]() Quote:
That kind of pressing is used to make the card bigger to be able to trim the edges and not remove creases. |
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