Quote:
Originally Posted by drc
I don't know if it's proper conservation technique or not, but I met another pretty famous Vogue photographer who kept his old film negatives in normal little manilla paper envelopes. I assume he knew what he was doing.
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How "pretty" was this famous photographer?
I used to have a special 'slide and negative' attachment for a scanner - it worked great. This was eight years ago - I assume they have made a lot of progress since then.
I would go with David's recommendation, simply because you are going to want to control the finished product (sepia vs b&w, paper type, etc). I recently purchased some silver gel prints made from original glass negatives, and they do NOT look like vintage prints - as nice as they are, they still look sort of cheap and modern, and they cost enough that I doubt I'd do it again.