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#1
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Posted By: rob
So acknowledging the Doyle as the hardest by a mile, what are the next 5-10 difficult variations to acquire in the T206 set? Are there some of them that are harder to find in higher grades (or better condition for non-graders)? |
#2
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Posted By: Ted Zanidakis
Wagner....Plank....Magie....Demmitt (St Louis) |
#3
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Posted By: barrysloate
I think even tougher are the printing errors such as "Nodgrass", "Murray part A", and "Shappe", not to mention missing colors, most notably "Sweeney no B." Nobody really knows what the surviving population of any of these are. All are pretty hard to find. |
#4
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Posted By: Art M.
I think that the Alperman (no stripes on cap) variation would rank high on the list. |
#5
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Posted By: JimB
Though not a variation, since the Wagner and Plank were mentioned, I think the Cobb/Cobb back deserves mention among T206 rarities. I read that Mastro has a new example to the hobby in the December auction. I'm not sure if that brings the total to 12 or 13. Maybe Hal knows. |
#6
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Posted By: tbob
T206 Schulte, one with Chicago and the other with Cubs on the front of the jersey. |
#7
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Posted By: jay behrens
I think that most advanced collectors will agree that the Cobb with Cobb back is not truely part of the t206 set. It has about as much in common with a t206 as a t213 does. It just remains in the t206 checklist because it has been there since the beginning of time. I personally think it should be listed seperately as it's own set. I doubt it will ever happen because everyone is so used to looking for that card in the t206 checklist. |
#8
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Posted By: john/z28jd
I was going to say the same thing Jay.I know its come up a few times before in the past but it should be mentioned in this thread that alot of people disagree with the Ty Cobb back being a t206.I personally consider it a 1 card "set". |
#9
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Posted By: JimB
I disagree that it should not be considered a part of the T206 set. It was produced by the American Tobacco Company at the same time and with identical characteristics as other T206s except that most known copies have a shallack type gloss over the front. Anyway, this has been discussed extensively on previous threads. |
#10
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Posted By: Lee Behrens
I am curious as to cards such as the Schulte metnioned, Kleinow, Boston and Smith Chiccago and Boston, can be so tough when they were issued in 2 diffeerent series? How can this be? |
#11
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Posted By: john/z28jd
Lee,the Schulte tbob referenced is the front view variation of his card which has "chicago" across the front instead of "Cubs" which is always seen.I believe its a unique card and is owned by Keith Olbermann |
#12
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Posted By: barrysloate
Cards such as the Alperman no stripes that Art displayed as well as those such as Schulte are proofs and one should expect that proofs would have visible differences. What about the Eddie Collins batting pose, both unique and perhaps the most valuable and famous of all T206 proofs? Also, Mastronet had a group of proofs several years ago that had four players unknown in the set. I think with proofs one should expect differences, and the value may be based on how dramatically different it looks from the card issued for circulation (as well as the rarity, although virtually all are unique or close to unique). |
#13
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Posted By: joseph
You cannot count Proofs as being part of the set. Proofs are a whole other ballgame. The 206 Proofs come in full color, progressive color and with aligning marks. Also there have been different players and poses in Proofs that never made it to final printing. The final being the rarest of the Proofs. I know that most of the posters on this web site have a bad feeling about Alan Hager but when I meet him in 93 he was a very knowledgable person. He taught me about Proofs and got me collecting them. I think he is still one of a few people that know Proofs. I am sorry that he took a wrong turn down the straight and narrow. |
#14
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Posted By: barrysloate
Joseph- you are correct on both counts: proofs should not be considered variations, and Alan Hager definitely took his hobby involvement in the wrong direction. He had the same problems in the coin business, too. |
#15
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Posted By: Ted Zanidakis
Bob asked...."what are the next 5-10 difficult variations".... |
#16
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Posted By: barrysloate
Ted- Why are Wagner and Plank on your list of variations? What are they variations of? |
#17
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Posted By: rob
I would not have include Wagner or Plank in my original question, thus wouldnt count them as variations. I was more wondering Doyle, Demmitt, etc, and how easy it is to acquire them or how populus they were. I also would not count proofs and such. What about the Brown, Wash variation, does that go on the list? |
#18
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Posted By: Ted Zanidakis
Barry |
#19
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Posted By: barrysloate
If you are calling them variations based on their back advertising, then every Drum, Uzit, and Lenox would be a rare variation. I think we disagree on the terminology. |
#20
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Posted By: Ted Zanidakis
Barry |
#21
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Posted By: barrysloate
I just define variation as something that is different on the front of a card, not a different brand name on the back. A Drum of Smith and a Uzit of Smith are the same card manufactured by a different company. So I do not define this as a variation. That's all I meant. |
#22
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Posted By: Ted Zanidakis
Barry |
#23
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Posted By: William Heitman
You guys are all over the place on this question. I'll go with saying that I'll stick with what I said in The Monster. I happen to think the Cobb back belongs with T206, but I would also say that I think T206 groups at least several sets together, but we have Jeff Burdick to thank for that. While I mention Burdick and the American Card Catalog, I must say I just have never understood why the later issued T205's weren't given T206 as its number and the earlier issued T206 weren't given the catalog number T205. |
#24
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Posted By: warshawlaw
No way on the preprinted film theory; I have too many printing errors proving many layers of ink were used on this little lithographs. |
#25
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Posted By: Ted Zanidakis
Adam W |
#26
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Posted By: Hal Lewis
JimB: |
#27
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Posted By: Brian Weisner
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#28
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Posted By: Ted Zanidakis
Brian |
#29
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Posted By: Brian Weisner
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#30
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Posted By: Brian Weisner
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#31
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Posted By: Ted Zanidakis
BRIAN |
#32
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Posted By: Jamie Hull
Not to tread on the back and forth going on here, but what happened during the printing of these? |
#33
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Posted By: William Heitman
You are so right. Burdick's system was his very own and it was all over the place. It was sometimes chronological and sometimes alphabetical, but all the time, it was just his system. How many of you remember Burdick's auctions? They were just as confusing. |
#34
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Posted By: jpcw
this is the first i've heard of burdick's auction, just a lurker speaking out. |
#35
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Posted By: scott brockelman
you will find if you lay out a few dupes of each player that is very easy to pick ou the 150 series from the front alone, the color is always much bolder and better registered as well. most all 350 series cards will have a slightly washed out or pale look. i imagine they increased production and cranked up the presses, both running low on ink at times and the printing plates probably became worn as well. |
#36
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Posted By: William Heitman
It seems to me that I was born collecting T206. I was stricken with polio when I was two (1951) and was quite sickly as a young boy. My family had so many teachers in it and they sent me books. My Mom was a junior high school counselor and teacher and my Dad was a college professor, who collected cards maniacally. The result was that I learned to read before I was in kindergarten. I was sick at home the first half of First Grade and what I did at home was read the backs of these wonderful little pen and ink drawings of baseball players that my Dad was just getting, Callahan Hall of Fame cards. So I was interested most of all in "Old Timers" and that lead me to Old Judges and T206. For the next 20 years, I corresponded with anyone who would tell me about T206's, Obaks, Caramel Cards, Old Judges and Gypsey Queens and anthing else from that era. Mostly I traded cards with these guys that my Dad knew--Burdick, Bray, Wagner, Gammon, Tannenbaum, Goldfaden, Wagner, Taylor and so many more. And I got my hands on thousands upon thousand of T206's. After I left school, I met Lew Lipset, who was just getting into the hobby and he aided my obsession greatly by sending me tons of T206. What I did with the cards was keep them in the order of the checklist published by Charles Bray and later by Richard Eagan and, within that I ordered them by Series 150, 350, 350-460 and Assorted and then alphabetically by the backs. In the late '70's I created a checklist using the same method. I used all of the notes I had taken over the years and the some 3500 different T206 I had accumulated over the years (with a big headstart from my Dad, I must admit) and laid it out in the same manner that The Monster's checklist is laid out, but without anything being blacked out. When I had checked off everything from what I had and the notes I had taken, I noticed that there were undeniable patterns in the checklist. I had already started researching the players and their careers. So I came to some conclusions and started blacking things out. I called Denny Eckes (rest his soul, he was just as responsbile for Beckett publications as my good friend Jim was) to talk about this checklist. He said he thought it could be a book, and, he would publish it if I provided him with all of the cards to be illustrated. I sent it all to him, and he took it from there. The published book has mistakes in it (and I'm not just talking about the Farrah cards that Denny put in without my approval), but my own checklist does not contain those errors. I hope to very soon go over the checklist item by item to find all of the errors. Anyway, that's how The Monster came about. From lots of collecting, accumulating and researching. No computers and no real place to go for information. I did, incidentally, write books on both T205 and T207 using the same methods--my method was reading, collecting and accumulating--but they were never published except in an issue of Baseball Hobby News, which published the T205 book in one of its issues. I hope The Monster has helped all of you in your pursuits of these cardboard treasures. |
#37
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Posted By: William Heitman
Charles Bray took over from Jeff Burdick. Before Bray's auctions, they were Burdick's auctions. |
#38
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Posted By: Glenn
Mr. Heitman, |
#39
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Posted By: T206Collector
I got this card from a fellow board member a few months back. I think it is striking without the blue, but I'd prefer one with blue, frankly. |
#40
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Posted By: William Heitman
Have any of you seen the "die cut" T206 Honus Wagner? |
#41
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Posted By: Lee Behrens
It's stories like Bill's that make this board so enjoyable. Thanks for sharing, Bill. |
#42
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Posted By: William Heitman
As I came across T206's, I always kept any front/back variety that I didn't already have. After "The Monster" came out, I was surprised to find that some other "Old Timers" had collected pretty much the same way I had. I got some filled out checklists from several of the people whose names appear pretty often in your threads. My own holdings as per my checklist hit somewhere above 4500 and I just stopped counting. I have yet to hear of, or see, a card that breaks the patterns I found to exist. |
#43
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Posted By: Art M.
Nice to see Mr. Heitman contributing to the T206 discussions. |
#44
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Posted By: Ted Zanidakis
BILL HEITMAN |
#45
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Posted By: Cat
Art: |
#46
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Posted By: Brian Weisner
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#47
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Posted By: barrysloate
Ted- I have never been skeptical of the Doyle variation and believe it is a legitimate rarity. Since there were two Doyles playing in NY at the time- Larry with the Giants and Joe with the Yankess- it would be easy for the typesetter to mix the two up. I believe the error was caught very quickly and instead of changing the typeface to read "Amer Lg", the "Natl Lg" was simply removed from the plate. The fact that it took a long time to discover does not discredit it. |
#48
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Posted By: Ted Zanidakis
Barry |
#49
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Posted By: barrysloate
It's not a matter of your thinking being wrong. I'm simply saying just because something was unknown at one time doesn't mean that a few examples can't surface as the hobby has matured. I think you are implying that the known Doyles may be fakes and I just don't think that is true. |
#50
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Posted By: Art M.
Here is the history of the T206 Joe Doyle variation cards from my research of many years ago involving my conversations with Larry Fritsch and Bill Huggins. |
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