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#1
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Were the 1953 Bowman's issued in any kind of series? Are there any high numbers in either set? Were the B & W issued at the same time as the color set or were they a completely different issue?
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#2
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113-160 are considered the high numbers and are harder to find, especially centered copies. The Feller, Ford, Berra, and Snider especially.
They were done in series but no hard and firm dates from what I have read are known. There are several examples of guys who started the year with a team but when his card was released he was with a different team. Which means that they did have "series". In the most recent SMR fromPSA there is a great article about that set. |
#3
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Check-out this BaseBall Cards magazine article I published several years ago.......
![]() ![]() ![]() ![]() ![]() TED Z . Last edited by tedzan; 01-19-2016 at 09:11 AM. |
#4
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An oldie but goodie. Thanks for posting Ted
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#5
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Thanks for article Ted! I'll read it soon! Love that set and anything I can learn about it is awesome!
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#6
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I forgot to include this page from my article.
Is this a classic picture of Pee Wee Reese....or what ? ![]() TED Z . |
#7
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Thank you for the article. I was a faithful reader of Baseball Cards Magazine and remember reading this when it was first published.
Was the follow up article about the black and white set ever published? |
#8
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Lueth2048
I don't recall if a follow-up article regarding the 1953 BOWMAN B/W set was published. If you have some questions about it, perhaps I can answer them. TED Z . |
#9
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Ted,
Always a pleasure to read your articles. Thanks for posting.
__________________
Signed 1953 Topps set: 264/274 (96.35 %) |
#10
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In his book The Bubble Gum War: The Great Bowman and Topps Sets 1948 to 1955, Dean Hanley indicates that in response to the success of the Topps 1952 set Bowman counter attacked with color photography and bigger cards in 1953. The process was much more expensive than colorized B&W photos used by Bowman and Topps previously.
The Bowman 1953 set although critically acclaimed today did not undermine the Topps momentum and their 1953 set was well received in the market. Disappointing sales and cost considerations caused Bowan to go to B&W later in the year. Fleer would run into the similar issues in 1963 scuttling plans for a second series. Happily for the Bowman family they had sold the business at it's height after the 51 season and it was the new owners that ran into the creativity of Sy Berger. The 55 set with the color TVs (which were at that time virtually unknown in most households) was their Battle of The Bulge Last edited by ALR-bishop; 01-21-2016 at 02:13 PM. |
#11
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Great article Ted, I learned a lot.
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#12
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I have read that the real, or at least most pressing, reason that Bowman issued the final series of 64 cards in its 1953 set in black and white, rather than color was the heavy anchor that DiMaggio's endorsement contract turned out to be. Of course, there's no question that the Kodachrome color process was more costly than black and white, but the wording of Joe D's contract apparently tied his payoff directly - probably exclusively - to the color cards. Consequently, Bowman could easily cut him out of the production cost simply by eliminating color and dropping Joe from the wrapper, which see for evidence:
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#13
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That's interesting info, Steve
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#14
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![]() Quote:
Drew
__________________
Drew |
#15
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The Clipper was a shrewd business guy indeed...Mr. Coffee, et al, but i doubt that he ever dunked at all, Kramer notwithstanding.
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