With early lithographs, it's like asking if a rare painting could be copied if money were no object. The problem would be that you could compare actual brush-strokes between the 'real' painting and the counterfeit. Same with dots in the lithographs. Dots are a bit easier to duplicate, but they are also easier to compare, and thus to detect flaws. I've louped a ton of lithograph cards and I'm certain about this, but I understand that my explanation isn't coming through well.
I guess we'll have to agree to disagree on this one.
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