Quote:
Originally Posted by prewarsports
Who came up with the arbitrary (2-3 years after the photo was first taken) rule to be a Type 1? I have some really nice Ruth images with 1923-24 stamps on the back and are they REALLY considered Type II because the original photo was taken by the photographer in 1920 and this one has a date stamp of 1923 on the back? It makes sense for Post WWII images, but in the infancy of News Service photographs right around WWI, this seems like a needlessly harsh rule. Just my 2 cents.
Rhys
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Hey Rhys,
I know that the 2 years in not completely arbitrary. I think we all agree there has to be a line drawn somewhere. If a photo is developed from the original negative 10 years later or more, there would/should be a difference in price from one at the time on original period paper for example.
More so, as photo collecting evolves and more collectors get into it, I am sure there we be rookie photo collectors(I like rookie photos).
Let's say a rookie photo was taken of Clemente in 1955 or Maris in 1957… the star then becomes they become huge stars 4-5 years later and the original negatives are then being printed like crazy; originals developed at the time(true rookie images) and then some done 5 years later that might be on diff paper(or not necessarily but we know later because of the stamp) and not done as rookies. Then what?
OR..lets say Ty Cobb breaks the stolen base record in 1915 and they restrike the 1909 Conlon image to promote it(publish it). That would be worth less to a collector as well(at least me).
I am not smart enough nor was I part of the process of the PSA team coming up with the two years obviously but I am sure there are more reasons/examples than these.
I definitely see your point though….just think there are SO many variables in the printing/news process that guidelines were needed/formed.
I also have a few examples of period photos that do not make the 2 year cut. It is frustrating but all in all I think that the type distinctions are great for the photo collecting hobby. If nothing else, stirs conversation and critical thinking/interest of the photo process. It has also improved the value of these high end photos by providing direction for new collectors(higher demand) and also protect them form over paying(not falling for the blanket wire/press/vintage” distinction for a photo 10-15 years old but developed 10+ years after the photo was taken..etc..). I will take the good and take the bad…take the both and there I’ll deal with the facts of types.
Just my 1 cent
Any other thoughts on the type distictions?
Ben