Sometimes these things are driven by fundamentals, and sometimes they take on a life of their own, like the Kardashians who are largely famous for being famous. And I suppose sometimes it’s a combo, where it might start with fundamentals, and then takes off due to popularity and resonance in the popular imagination.
Much as it pains me to admit it as a proud Italian, the Mona Lisa is really only popular today because she was the Kardashian of last century. Stolen, widely publicized in an attempt to recover the piece, talked about all over the world, eventually recovered. Without that notoriety, she would have remained an obscure small piece by a master. Still a great work of art, yet nowhere close to the level of value it has today, because today she’s known all over the world by just about everyone.
I would draw parallels to Mantle cards. Definitely a great player and generational talent, but the price of his pieces is so high simply because everyone knows and wants them. The strong premium for his stuff relative to his contemporaries who were just as good (or better) on the field defies logic. But that’s because it’s simply a question of better marketing and popularity. And that all starts with the 311, and further burnished by all of the popularity enhancers mentioned above by others.
There’s certainly room to debate how enduring that popularity will be over the next 50-100 years. But it’s proven remarkably durable so far, and shows no signs of abating anytime soon.
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Trying to wrap up my master mays set, with just a few left:
1968 American Oil left side
1971 Bazooka numbered complete panel
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