Thanks a lot, guys.
The Ruth and Gehrig painting is a commission. At first, I didn't think that it was going to be the hardest painting in the world, but it's definitely been quite the challenge.
That net really does leave me cross-eyed. And it's not so much the net itself, but it's the relationship between the net and the material behind it. That tarp-type thingy needs to still be three-dimensional with its curves and all, while still sitting behind something that's obscuring the look of it. And since it's so close to the foreground, it's not something that I can normally compress into two values. There has to be a fuller range, more prominent temperature changes, and then it has to relate correctly to the net pattern that goes in front of it. Actually, just writing this and thinking about it is making my head spin.
Instead, I'll just post what I was working on yesterday, which hurts my brain a lot less.
Either way, still a lot to be done!
Graig