Quote:
Originally Posted by joeadcock
This thread has taken an interesting turn.
Question for me are multiple brought out via others here, as what I had hoped for.
Scott makes point about trimming down to fit mount. Does anyone know if this what was usually done for form a cabinet? Or at least sometimes? Afterall, how else would you make a cabinet, unless photograph was exactly a particular size to fit all cabinets. Doubt that based on different size cabinets and different studios producing them(at least for later cabinets). Hence, this Cabinet would be just another example of the many that exist.
How many examples are there of one cabinet card such as this? There could be more, from Quebec studio. Or from other studios also.
I haven't seen this kind of back and forth on whether particular example is a true cabinet? The consensus on a true cabinet appears to be not 100%, except that based on definition, this is one, a photo mounted on a board.
Agree, this a different print from one sold by Hunt. So how many type 1's are usually made from original negative? Would suppose, that few dating back 100 years. Therefore, few cabinets of any particular subject, such as this one.
Hope more info comes out.
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As a collector, I would be considered less with 'how' a cabinet card was created, and more with 'who' created it.
This isn't from the Quebec studio. Someone took a Bain photo, trimmed it and glued it to a Quebec mount - I can promise you that this was not done at Bain's studio. I have a bunch of Bain photos that I could also trim down and glue to cabinet mounts. They would technically then be cabinet cards, and each would be one-of-a-kind. A 'Bain' cabinet card (if such a thing existed) would be created by someone at Bain's studio creating a print and gluing it to a Bain studio mount. Bain could print and trim as many original photos as he pleased, back in 1909, to create cabinets from...if he chose to create cabinets.
As I said, I think it's a very attractive creation.