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Only 2 rock bands really matter and now they will both be in, The Velvet Underground and Roxy Music. After that it is just who is popular and the obvious choices (Beatles, Stones, Who, Zeppelin, Floyd, etc.). |
Shoeless Moe
The Cure is the Harold Baines of......well you get it. and what the HELL is Roxy Music?????? Hi everyone. After reading this post I wanted to make my first ever post on the board to talk about this. Since I was 13, my favorite band is The Cure. If you don’t enjoy their music - that’s your opinion. No performer’s music is for everyone. The Cure has produced a ton of albums, had a lot of billboard hits, have a strong legion of fans and this is their 40th anniversary as a band so they are doing something right. Glad they made it. I have also been a long time supporter of Harold Baines and Lee Smith. Smith’s accomplishments as baseball’s greatest reliever for several years stands on its own. Baines put up some pretty impressive career numbers. My support for Baines is largely based on the assumption that if there were no strikes in 1981 and 1994 and he had that time back he would have 3000 hits and 400 home runs and there would be no question of his accomplishments. His numbers are better than Tony Perez for comparison to a current member. I take issue with the sportswriters who didn’t see this and vote for him when he was on the ballot. To me, the 2019 inductees have earned their spots and are deserving of the honor and the institutions are better for having them. |
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Here's my hall of fame... |
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Black Sabbath, KISS, Venom, Slayer, Judas Priest, Iron Maiden, and Metallica could be the first class of inductees. |
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Roxy Music should have been in the HOF years ago... influenced the new romantic movement in music, took Rock music to new heights and directions.
Ricky Y |
...but what cap does Dio wear, Rainbow, Sabbath or his very own Dio?
and I think you might have a few objectors leaving out of the first class Zeppelin, AC/DC, Van Halen, Megadeth, & Motorhead! It would be tough picking an initial 5, but I'd go: Zeppelin AC/DC Metallica Van Halen Black Sabbath/Ozzy in no particular order. The next class: Iron Maiden Judas Priest Motorhead Slayer Guns n Roses dammit.....forgot Aerosmith |
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Before you go putting Motorhead into an inaugural class, they didn't originally write and perform their own self-titled/named song. The group that did should be under consideration for enshrinement before them (and many other named bands/performers) in my opinion. |
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And I'm fine with Dio waiting to get in, as far as I'm concerned He's The Last In Line! |
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I'm not just The Cure.
For 'hard' bands, I'd nominate Celtic Frost and Discharge. The best ever metal band and the best punk. Seminal, influential, but probably too real and extreme to ever be considered. Discharge's Hear Nothing See Nothing Say Nothing (1982) is the greatest extreme music and punk album ever made. In a class of its own. It is one of the most influential albums, whether or not you heard of the band or album and is as fresh and extreme today as it was 36 years ago. "A punk rock landmark if ever there was one, Discharge's Hear Nothing, See Nothing, Say Nothing is one of the most bleak, angry albums to ever grace the underground."-- allmusic Other deserving punk bands are Black Flag and Dead Kennedys, but I'm sure they laugh at a music HOF. Duly note that I think the HOF is silly, and do want to see those bands in it. |
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They incorporated a lot of spoken word pieces in their performances, which was a bit unique for the time, and included the use of dancers and other performers on stage that became a well known part of the band and performance itself. They had an Irish performance artist, Stacia, who was built like an Amazon and would perform and dance during their live shows, often just in body paint and either topless or naked otherwise. Again, something kind of unique and possibly the first time being used in rock performances. Their live shows were legendary and the lighting and such was so well done and orchestrated that the crew handling that work become almost as well known as the band itself in many areas. Can you name any other rock band where the crew were actually known by name, in this case "Liquid Len and the Lensmen"? Also, they were in their early years very much aligned with a popular Sci-fi/Fantasy writer of the time, Michael Moorcock. (Okay guys, be adult regarding the author's last name.) In fact, he actually wrote a full length sci-fi novel that featured the band and its current members at that time as the main characters and protaganists of the book. Who would have thought that a rock bands specific style and form of music would be the only power able to stop certain evil powers set to take over the Earth!?!?!? Can you name me any other rock bands that have had that done? I know the Beatles had their early movies, and later on MTV brought out the videos, but any actual novels written about any performers not as a documentary/biographical type works? There may be by now, 40+ years later, but certainly not before Hawkwind as this is going back to the 70's. Also, they were more well known as a British group, another reason they aren't mainstream and popular here in the U.S. And they were not really that concerned with being big stars and making lots of money. They were well known for performing in free festivals and virtually anywhere someone would let them play. They were also very fluid in the members and genres they incorporated over the years, which is also another reason they probably don't get the due they deserve from their early years. There is virtually one person, Dave Brock, who has been the sole constant member and driving force behind the group till today. What with the ever-changing lineups and infinite re-mixes of songs and styles over the years, the musical course of the group has constantly changed over the decades. Which is another element that doesn't necessarily endear the group to the multitude of average rock fans who like to see the same group, same members, same songs, done the same way, etc., over the years. If you were to see them perform in recent years, they couldn't/wouldn't sound or necessarily perform anywhere near like what they did 40+ years earlier. Meanwhile, if someone goes to see Sir Paul McCartney perform today and he includes "Hey Jude" in the show, I'll bet my last dollar it is going to sound pretty much like it did when the Beatles released it back in the 60s. So those folks today get to hear the near same exact song people first heard in the 60s, which helps to continue the legend, the memories, and so on, and bring new fans to McCartneys camp that weren't alive to have heard the Beatles when they first hit the scene. That is another element that deals with the elevating of some person/group to HOF status in my opinion. So with a group like Hawkwind, if you weren't really into them back then, they didn't do a lot of commercially successful pop type hits for the time that would still resonate with people today, you can't go see a retro tour where they re-do their hits note for note, and you can't attend an epic live performance of their shows with the lights and visual performers they originally had, and thus there isn't really a lot besides their old recordings that people now can listen to get to know and appreciate them. At the time they first were out though, they were definitely innovative and influential in what and how they performed. Considered often as early pioneers in the electronic/psychedelic music genre, and even the early proto-punk movement, with elements of speed and heavy metal here and there as well. They were unique, and I feel deserving of HOF status for their musical contributions, style and influences, not just because of how many records they sold, as that never really seemed to be their main focus. The group was more the true artist type, caring more about the music than being commercially successful. That, in and of itself, has always got me to appreciate them more than many other groups deemed rock hall worthy. For example, KISS. I'll give KISS credit for appearing in their outfits and their theatrics onstage as rather new and innovative at the time, but their actual music was also kind of bland and simply basic standard rock, just something to be commercially successful and sell records. To me, they are the epitome of the sell out performer only interested in self-promotion and selling records (ie: making money). I'm not saying there is anything wrong with wanting to make money, but lets face it, Kiss, especially Gene Simmons, is almost totally about making the money. The music really isn't that great, the stage show just helped to get them there. And Kiss started not too long after Hawkwind so they operated around the same time frame. If Hawkwind had put more emphasis on just generating basic pop/rock anthems simply to sell records to the common masses like KISS, and included someone who was the ultimate narcissistic person and self-promoter like Gene Simmons to constantly remind people how great they were, a lot more people would know about Hawkwind than they do now and could more likely be considered as big and deserving of HOF status as KISS. But the fact they didn't, and stayed true to the music and their art form over just seeking commercial success is exactly what I think separates and elevates them above others, like KISS! As a great example, one of the inaugural Rock HOF inductees was Robert Johnson. I'm pretty sure he didn't sell a whole lot of records during his life, at least not like artists of today. Never really made much money or became famous when he lived, but is definitely deserving. I'm not saying Hawkwind is on his level of contribution to rock music, but they sure added a lot more to it than KISS ever did! |
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Let's get ready to rumble...... :D
Lot's of opinions of who's who in the rock n' roll HOF. Since this is a baseball card board does anyone have an opinion on who is the Babe Ruth of the Rock n Roll Music HOF (RRHOF)? Are the Beatles the Babe Ruth of the RRHOF? Good argument for that - Ruth was an idol in the US as were the Beatles. Both blazed a trail, Ruth in baseball, Beatles in music. Here's the list of the first inductees to the RRHOF:
There's hardly any mention of these guys in this thread..... did the RRHOF get it wrong on the first inductees? The Beatles didn't even make it to the third year and Zep wasn't inducted until the doors had been opened for 10 years. |
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I see the argument for bands/musicians that heavily influenced other artist being inducted. But why in the H-E-🏒-🏒 are The Pixies not in yet?
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Babe Ruth = Elvis Presley
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In retrospect, look at groups like the Beatles. Their early albums had a very definite, clean sound. But they weren't happy just performing the same simple songs over and over and took chances and experimented and delved into new sounds and techniques that frankly helped change the face of rock music forever. KISS music has always followed the same pattern and sounded pretty much the same. They just keep following the formula of what sells for them, which is great. Not knocking consistency, just pointing out how they never really took any chances and changed how they were to expand their own musical abilities and horizons, and how they haven't really influenced anyone else either. They just were popular enough to sell a lot of records, but I don't see anything overly special in them to distinguish them enough from a lot of other groups/performers to be in the hall, besides having sold a lot of records and having a very loyal and dedicated core base of fans that like their music and sound. Now you have lots of other groups that also tried to jump on the bandwagon of just doing what was popular to keep selling records. Look back at some of the performers who experimented with doing disco type songs when that craze was popular for a period of time. You going to tell me that those groups that suddenly changed their style to create s few disco sounding songs weren't doing it just for the sales and money? By the way, KISS is not the Babe Ruth of rock and roll. I wouldn't even make them any higher than maybe the bat boy on that team. And I have listened to them over the years and seen them perform live, they aren't deserving of that title. But if to your musical likes and taste the rate that, then good for you, I;'m glad you like them and can enjoy them that much. By the way, as such a big fan, have you been on one of KISS' sponsored cruises ever? |
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And of the rock hall inductees in that inaugural group, I know there are a multitude of people who crowned Presley the King, and would claim he is the Babe Ruth of Rock and Roll. But he was always more of a country crooner if you really listen to his music and style. If you want to look at it from a purist standpoint and literally think of the term Rock-n-Roll, the true Babe Ruth is Chuck Berry. His original performances and electric guitar playing and ability were the cornerstone for what we came to believe was the essence of a rock and roll band. The Beatles, Stones, Yardbirds, Zeppelin, even KISS, and so many other rock groups and performers are more aligned with and developed along the lines of Chuck Berry and his musical style and talents than ever did from Elvis. Don't get me wrong, Elvis is great, but Chuck Berry is/was the standard for true, pure rock-n-roll. And along those same lines, how the hell did they make Les Paul wait until 1988 to get in the rock hall, and even worse, 1992 for Leo Fender? Whenever you hear people discussing rock-n-roll, at the very mention of the electric guitar, which is to me the cornerstone of rock-n-roll music and the only true sound/instrument that defined it and set it apart from every previous music style and form, there are only two names that deserve to be on that Mount Rushmore - Gibson Les Paul and Fender Stratocaster. Period!!!! |
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I've never done the KISS Kruise but I did the Meet and Greet with them in Bridgeport a couple of years back. They were great guys and truly appreciate their fans. |
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Chuck Berry is the Babe Ruth of Rock n’ Roll
I second that thought. Chuck Berry influenced so many bands, that virtually every band that has ever mattered has had Chuck Berry cover songs that they either recorded, or had as part of their live repertoire. The Rolling Stones would not exist as a band without playing Chuck Berry songs at the beginning of their career, as they didn’t start writing their own songs until their second or third album.
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https://www.yahoo.com/entertainment/...055124104.html |
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Roxy Music one of the greatest bands of all time. The rock and roll hall of fame is a stupid joke, and half the bands in there suck, but Roxy Music is not one of them. Neither is Radiohead.
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I agree they should be in some Hall of Fame for their theatrics and marketing, for their musical ability, innovation and such, I'm not so positive! Be sure to check out the comments section of that article and see what I mean. I know KISS has some unbelievable die-hard fans, and I don't disparage anyone for liking them, and I actually don't dislike them or their music myself. But their music isn't anything innovative or new, there's no new style or sense to it. They took elements of their music and shows from others before them, from the likes of Alice Cooper and Devo, and molded it together to create the image and persona of KISS. And then they marketed the heck out of themselves and played up to the fans. Nothing intrinsically wrong with that, just not HOF worthy in my opinion from a musical standpoint. And as to the all the others crediting KISS as to why they wanted to pick up an instrument and become a rock star, it was mostly because they realized that if these guys from KISS could do it without any special musical talent or innovation and just a lot of smoke, mirrors and theatrics, then maybe anyone else could do it as well. As pointed out in one of the comments to the article, the KISS guys even admitted to starting the band to make money and get girls, not necessarily to make great music. So all those aspiring to be like KISS, what exactly are they aspiring to be, great rock artists and musicians, or just some horn dogs making all the women and money they can? Think about it this way. If someone could figure out a way to be a card collector and that directly led to them being able to gets lots of money and women, how many other would be collectors would suddenly start following that person and using them as their influence and example to get into card collecting as well, with the aspiration of also getting lots of women and money. Now if that same someone's actual card collection and knowledge are really nothing great at all, who cares, they're making lots of money and getting lots of women from it. And because of that someone's great success in attracting women and money simply due to their card collecting, there are tons of other people who would probably think they should be elected to the Card Collecting HOF as a result, whether they really deserve to be in there from purely a card collecting standpoint or not. Now if that is the kind of person you would want in a Card Collecting HOF, despite them not really having a decent card collection or special knowledge or expertise in the hobby, then I can understand why you would think KISS belongs in the Rock and Roll HOF. |
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Long live the KISS Army! |
Yet after all this time, Toto is still not in the RNRHOF. That's a travesty. As a band, they've sold well over 40 million albums. Ten Grammy nominations, six wins. The members of the band are some of the most sought after studio musicians in American popular music history. They were instrumental in the recording of the biggest seller of all-time, co-writing and recording multiple tracks on Michael Jackson's Thriller. Pull out a big time selling album from the mid-to-late 70s to the mid-to-late 80s, and chances are that Jeff Porcaro, Steve Lukather, David Paich or Steve Porcaro either co-wrote the song(s) on it, or lent their virtuoso playing. If the Hall celebrates great music, few bands have ever had the influence Toto has had. You can't make an album showcasing the most popular songs of the 1980s without them. From the perspective of sheer musical talent, there might be no more gifted group.
Rush got in. Now Toto is my new bully pulpit. |
My only takeaway from this thread is that everyone is pissed off because (name of band that they don’t know well because they were over 30 when they became famous) got into the Hall before (name of band that they liked at some point before they turned 30).
Which is cool because that is how I evaluate pop music too. |
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