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I was pretty happy picking up the the only known example of this 1958 Hillerich & Bradsby advertisement. This originally sold in 2016 by REA for $3,900 and I was able to pick it up for less than a third of that price.
https://uploads.tapatalk-cdn.com/202...0f7c059203.jpg Sent from my iPhone using Tapatalk |
Just eyeballing those two gehrigs, the SGC one looks way nicer to me. SGC has gotten way tougher on grading, so not sure those two cards are the best comp.
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I've never even heard of SCP Auctions until I read this thread. So there's that.
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I fully agree
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1) Regarding the Gehrigs - The SGC 6 is a considerably nicer "eye appeal" card - not even close to the PSA 6(imho)! More of the discerning collectors/buyers in the marketplace are starting to pay attention to the cards in the holders beyond the numbers on the holders and are willing to pay premiums sometimes large ones for clearly nicer cards. This makes a LOT of sense to me as on the best day of the week ALL grading companies are at least inconsistent. 2) burnout - I think many people have just hit sensory overload, between shows and auctions. I do this full time and there just aren't enough hours in a day to track it all! I suspect for most this is a hobby to which considerably less time is devoted - choices need to be made. 3) Auctions are not always the best indicator - auction houses like to tell consignors that an auction is going to get the best price for their items - suggesting that "all" potential buyers will see and have an opportunity to bid on their items - in most cases I strongly disagree (For certain marquee items - think SGC 9.5 52 Mantle - I do think a high profile auction with lots of publicity around a lot IS the best place to sell). For reasons above and others that have been mentioned in this thread - there is no "perfect" venue to sell every item - not every buyer looking for a particular item is looking at every auction! Stuff falls through the cracks. 4) Ticket stubs and photo differences - This ties into #2 and #3 above - I think the collector base for these types of items is, so far, considerably smaller than for "mainstream" cards. A better chance that if some of those collectors aren't looking - there is the opportunity for greater price discrepancies. 5) Ultimately it boils down to 2 overarching concepts - 1) Simple supply and demand economics - When demand outpaces supply it drives prices up, when supply outpaces demand it drives prices down. I have said it on a number of other threads - I see the high end biggest name players cards in continuously short supply relative to demand continuing to set records (I also think they are just getting warmed up). I see a little bit of a decline in the lower grade/higher supply cards due to slight softness in demand (arguably influenced by some of the larger economic impacts mentioned above). This will be the area I think has the greatest possibility of a bit further softness. I think it is a mistake to think of the "market" as a whole. I think it needs to be looked at in segments. 2) Arbitrage & inconsistency - the markets are inefficient - sometimes grossly so - there is no single place where all willing buyers can meet all willing sellers (despite what auction companies will tell you). Grading companies as much as they try to "objectify" the grading process will ALWAYS be inefficient - unlike buying a share of stock where 1 (common share) is literally "the exact same" as another. No 2 cards are exactly the same and 3rd party grader opinion notwithstanding - beauty is in the eye of the be - holder (pun intended). |
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Howard - great post. I think like real estate, there is no one market, but as you say different markets serving different interests. It always strikes me that people will cite some crazy ass sales of high end cards as evidence everything is soaring. It's not. A lot of segments of the market have stalled, some have gone down little, and some have dropped a lot. I also think as collectors we overestimate the number of people on the hunt for what we want. Take a really nice card like a $25,000 Ruth Goudey. At any given time there might be 20 people in total looking earnestly to acquire that. Sure, lots of people nibbling around the edges, but really ready wiling and able to pony up $25,000 tomorrow? 10? 12? 8? Less than you might think. And if 5 or 6 sold in the last two or three months or last week, you could see a lot less competition (and drops in prices) develop quickly.
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Much better condition Program went for 2K less than same lesser condition one in Feb.
Feb Lelands $13,477 (Poor/Good condition) https://auction.lelands.com/bids/bidplace?itemid=108454 Sept Memory Lane $11,395 (Very Good condition) https://memorylaneinc.com/site/bids/...e?itemid=71998 |
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Interesting example
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While I certainly stand by my original post, I'm not sure I agree with the 33 Ruth as a good illustration. Ruth (ESPECIALLY the high demand 33 Goudey's) in my experience happens to be a card where I believe there are considerably more people ready and willing to plunk down low-mid 5 figures than any of us would believe. I have bought and sold 33 Ruth's from graded 1's - to graded 5.5's. I am picky about nice eye appeal examples, but have so far, always sold them quickly for strong prices. Now if you want to talk about the high end of the market Like graded 7's and higher in the 6 figure range, perhaps I would join you, but then again, they didn't get to 6 figure cards (with multiple sales) by just a couple of guys chasing them! BTW I do have a #144 PSA 8 on consignment if anyone is looking! |
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How close did you get to a signed complete set? |
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I have not looked closely at images of the two cards so simply going off of what has been suggested here--that the cards were pretty close in condition. If they are similar examples then I would not feel great as the buyer of the REA example. |
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Just as we start to question the market...these two cards remind us just how crazy things still are...
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Wow, that’s awesome, I have never seen that one. Sent from my iPhone using Tapatalk |
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What's this about set break on eBay? Don't know about it.
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This is a fascinating discussion.
A modest proposal: For anyone with one of those subscriptions that show realized auction values, why don't you pick 50 vintage cards (or photos that have >5 sales) - 40 HoF-ers and 10 commons from key sets and run the numbers to see the % change month to month for the last 36 months? I'm guessing someone has already done this. If so, can someone post this? Otherwise, it is all anecdotal, which includes some really compelling examples, but it is hard to extrapolate for the whole vintage market from just a few examples. |
I have not, but you are right that all this proves or shows is that you cannot extrapolate from one sale in this market. I still believe my original premise it true — while there are still people pushing prices on some cards to higher levels, I think there are fewer of them competing. Less demand. So depending on timing of similar sales and other events you can see pretty dramatic fluctuations even in pre war.
And as Howard pointed out, those fluctuations are prob more dramatic on the memorabilia side. That has certainly been my experience. Memorabilia prices all over the map. |
Two bell-weather t206s: Demmitt and O'Hara Stl Louis. 2 very nice examples (psa2 and psa 1.5) ended sunday night on ebay for 12.8k and 7.3k. both records i believe. t206 hotter than ever in my experience.
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Little confused
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I never worked on a signed set? Am I missing something in my post? |
I don't think market is going at all, to me it seems there are so many quality items all flooding the auctions so people are waiting for the item they really want then are ponying up for it. Where as before not as many options gave people the fomo to hurry and bid since it might be a while before hits market again. The past 6 months the amount of rare items and cards up for auction has to be at a high, and for those not rare say the 33 ruth something in grades 2-5 seems to be going higher every auction. Just my opinion but probably way off
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Great stuff is appreciating and the mid to lower stuff is staying the same or having a slight reduction, imo... . |
the end is near...?
As far as photographs go, the market is a mile wide and two inches deep.
There are guys who will spend more for a photo than Babe Ruth got from the Red Sox. It's just that they are pretty discriminating and there aren't many of them. And taste, which changes over time. In our prior century, when Martha Stewart ruled, you couldn't afford brown furniture or Depression glass. Now you can't give it away. Younger people don't associate with furnishing a house that looks like something their grandmother would have owned. Question is: Will this happen to cards; will someone be left holding the bag. lumberjack |
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As you said. Finding a 52T Mantle is easy. Finding a centered one? Good luck with that. |
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As far as the differences in hammer price between the SGC 5 Mantle that recently sold on REA for $306k and the one that sold on Goldin the other night for $146k, I think it's actually pretty straight-forward.
The $306k example looks like a true 5 condition-wise. It is in EX condition. And, most importantly, it is dead-centered left to right with no tilt. For centering-obsessed OCDers like me, that L/R centering is often far more important than top/bottom centering. Buyers will pay a significant premium for the centering on this Mantle. Contrast that with the $146k Mantle, and you can clearly see an evil tilt to the image, most noticeable on the left edge. Image tilt is the spawn of Satan to centering OCD collectors. It's not enough for the image to be in or near the middle of the card. The lines need to be parallel and border widths equal. Sure, the one on the right I would still expect to outsell a comparably conditioned card with a more significant shift in centering, but this isn't a card that eye-appeal guys are going to be jumping up and down for, whereas the one on the left most definitely is. However, there's one more factor that surely played into the hammer price here. That SGC "5" on the right from Goldin is NOT an EX card. Those bottom two corners would NEVER grade at a 5 today. Not from PSA or SGC. This card was graded back in 2014, when standards were quite a bit looser (whereas the one on the left was graded in 2019). High-end vintage buyers are getting smarter. They know the one on the left is EX and the one on the right is a VG-EX card wearing an SGC 5 tuxedo. They're bidding accordingly. It's the other side of the same coin for why I keep having to "overpay" when I find cards that are under-graded. Here they are side-by-side. You can decide for yourselves whether or not the differences are worth an extra $160k, but the centering difference is worth a lot, and the fact that one is EX while the other is VG-EX is probably worth a lot more, in my opinion. Also, the one on the left is a Type 1 Mantle, and the one on the right is the Type 2 (and supposedly less desireable). Though I think this matters less than people argue. |
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Damn, that really shows you just how much grading has changed since 2014. Great side-by-side comparison. |
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I'm not sure though which standard I prefer. I suppose it's somewhat arbitrary, but the lack of consistency is a major problem. Maybe the card on the right *should* be the 5 and the one on the left *should* be a 6? I don't know, but with today's standards, the one on the left is a 5 and the one on the right is a low-end 4 at best. |
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