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The card hasn’t received a bid since the first day. It’s gotten 11 bids and the reserve had not been met. The card currently sits $1.2mm below the AH’s estimate.
Although I would love to see this “example” get to the AH’s $2mm+ estimate, My money is on the card not hitting its reserve and not selling (a pass). I also believe that the card would do better in it’s pre-restoration condition; in other words, I think the card is worth less in its current state than before it was restored. |
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I like the restored version.
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Too bad you can't un-restore a card. :D
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It is my feeling that an item should always sell for one bid more than the second most interested party is willing to pay. I find anything that interferes with that anathema to the auction process.
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As a teenager (which for me was about a two decade process), if I bought something at a Saturday auction (I'm talking live in person auctions, pre eBay, and not talking baseball card auctions), Dad would see whatever it was and ask me what I'd paid for it, then he'd say "Well, when you buy something at an auction you can know one thing, that you paid more for something than anyone else there thought it was worth." But he'd been a child from the Depression.
We've become a nation of haters. And I see that in myself. I'm not very keen on the slabbing/grading of cards. But with this Wagner card I can see that it would be better preserved inside the plastic. I'm amused by what I see as the ardent fans of graded cards having their faith shaken by an altered card inside the slab. Come on now... the card is a genuine Wagner. It looks better after it was worked on. It's in graded plastic. Who of us would not welcome that card into their collection? And are there any of us who, if we were given that card, we'd then burn it? I like it. |
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That being said I don't believe in high starting bids or reserves either, but I have no problem chalking that up to personal taste and don't see anything wrong with either practice |
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Yawl need to cut this restorer some slack. He was given this nightmare of a card to work on, and it must have been extremely difficult. He had to spend days looking at this card under magnification and try to recreate the print spots. Obviously, matching the ink, which was made a hundred and ten years ago, wasn't easy to do. If you study the orange background, you'll see the colored-in areas appear yellowish. Again, what a mess. They should have just left the thing alone. |
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I would be proud if I owned the unrestored card.
Regardless of how the restorer did and obviously it “worked” because someone is willing to pay a lot for this card. But I like they way it was and I personally do not like the card being touched up |
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Many years ago there was a restored Wagner for sale in Mastros; the restoration was later "reversed", although PSA still re-slabbed it as "authentic, altered". Here's an image post-restoration reversal... |
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Here's the restored version. Attachment 483906 |
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I do not understand why they restored this one in the first place |
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It’s. A. Wagner.
Going to sell for a small fortune. Rightfully so. $2m |
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and for the Wags that had the restoration removed. Good call. . |
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I am assuming the buyers are looking at this as a piece of art then a baseball card collector. A display piece and they would rather look pretty.
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And they will probably just be displaying it or showing it in that fashion and/or as a Piece of Art or Both |
I'm not a pre-war collector, though I sure like to learn from this group and to see everyone's collections. They are mind blowing. I am curious to watch over the next few decades to see how prevalent "restoration" becomes in the sportscard industry. In other collectable/art markets, it is perfectly acceptable (and sometimes actually adds value.) Major museums regularly do cleanings of old art, and as part of those cleanings often gently touch up some of the art where age/weathering/poor treatment has taken its toll. When art is defaced by museum visitors, it is often restored to eliminate/remove the damage. I know that similar approaches are taken with vintage posters and prints. Being familiar with vintage cars, it is of course routine to restore older vehicles (though there is a niche market for untouched, factory original examples as well.) I completely understand that the idea of filling in paper loss, recoloring areas that are missing color, removing marks etc. is repugnant to (probably) most sportscard collectors. Personally, I like em just as they are, warts and all. But tobacco cards, like the T206, are now well over 100 years old. And they are cardboard. Cards that have now been slabbed are probably mostly protected from further damage from handling and accidents, but the vast bulk of cards that are not in holders will continue to age and sustain damage. I am just interested to see whether or not these items, as they push through their second century of existence, begin to experience more "restoration." And, most importantly, whether or not that becomes an accepted practice.
kevin |
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And I would MUCH rather own the unrestored version of this card, not even a close call, IMO. Considering the rarity and iconic status in the hobby, it looks fine, in fact it's a compliment to its appeal that it survived 100+ years in that condition without being tossed away at some point.
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I do not believe (but I could easily be wrong) that restorations will be common in Card collecting. Even with the higher dollar cards. For one the way grading companies grade and then classify it (ie instead of raising the "grade" it gets either and Authentic, Altered, or Restored grade on it. Just as you see on the one in SGC. That results in less bidders at the higher prices like you have seen in several recent but past auctions. In addition card collecting has a "purity" to it and an appreciation for the life of that card. So anything that takes away from that devalues it somewhat |
With old art and such, a lot of it is about preservation too-- deacidifying paper. For a lot of things that will deteriorate, it is recommended.
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I remember well when TPG first came into being. At that time the consensus was that overall it was a good thing due to the arbitrariness and inherent conflict of interest associated with AHs/dealers grading their own material. But now a generation or so later and seeing what TPG grading has become, I sometimes wonder if the cure has turned out worse than the disease. |
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Imagine having a fractional share of a cutup card! I think it would be time to break out the calculator to figure out each person's ownership share of the original card.
Brian |
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The arbitrary and contradictory nature of what's considered alteration has always been something that bugged me. I will also admit that restoration - when it's done well, not like this particular Wagner - is not something that particularly bothers me. I'd rather have a card with a pinhole fixed than the pinhole, for example. |
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No problem Jeff, I figured you simply misinterpreted my point. I understand your point though, and don't disagree. I just don't really care for the idea of people cutting up items to simply make more money. In that case, even though I'm not a fan of owning digital and/or fractional interests in something like this, I'd much rather that be done than cutting up a card, bat, uniform, etc. |
Nft
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I know that both Heritage Auctions and SCP both say there is a reserve and when it is met Heritage does it a few days prior that a Reserve was met or not met SCP upfront post that there is a Reserve and when it is met it lets you know. I thought there was another 1 or 2 but I am drawing a blank |
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