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oldjudge 10-16-2011 06:10 PM

Corey-This looks like a plain brass matting and it is on an 1855 dag. What am I missing?


http://www.robertedwardauctions.com/auction/2004/2.html

barrysloate 10-16-2011 06:29 PM

Jay- the date 1855 was approximated. I was the consignor of that lot.

benjulmag 10-16-2011 08:35 PM

Quote:

Originally Posted by bmarlowe1 (Post 932353)
I was really not aware of the extent to which you felt that your own skills were not up to responding to me (and I'm still not sure you felt that way). I really don't think lens effects or perspective distortion are an issue in this case, but perhaps someone could argue otherwise.

I believe I have skills in this area, but they don't compare to Jerry Richards'. IMO the experience of doing thousands of photographic facial comparisons gives a perspective that no amount of book learning can replicate. It bears directly on your point of providing instances of identical subjects that exhibit the same facial discrepancies we see in this instance. I know what Jerry told me over the phone. He and I had several in depth discussions about it. As to providing examples, he would be the person to provide them both because presumably he would have the data base to do it, and because without such a data base I can't justify the tremendous amount of time required for the task.

bmarlowe1 10-16-2011 08:49 PM

>>I believe I have skills in this area, but they don't compare to Jerry Richards'. IMO the experience of doing thousands of photographic facial comparisons gives a perspective that no amount of book learning can replicate. It bears directly on your point of providing instances of identical subjects that exhibit the same facial discrepancies we see in this instance.

I agree that experience is more important than book learning. That's why I stated the following:
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Active forensic artists working for major metropolitan police departments may analyze and compare hundreds or more faces every month, thousands every year, many tens of thousands over a long career. Their primary focus is faces. There is no substitute for that kind of experience.
p28:
There is no substitute for the decades of repetitive intense exposure one gets as a career forensic artist working for a major metropolitan police department. There are perspectives that can only be gained by examining thousands of faces…..


benjulmag 10-16-2011 08:49 PM

Quote:

Originally Posted by oldjudge (Post 932355)
Corey-This looks like a plain brass matting and it is on an 1855 dag. What am I missing?


http://www.robertedwardauctions.com/auction/2004/2.html

The dating of a dag by the matting is a negative test -- that is it shows what something is not, not what it is. Perhaps the wording in my earlier post contributed to the confusion. But by negative test I mean that since the more ornate brass mattings did not begin to appear until the 1850's, had the half plate exhibited it, we would know it could not date to the period AJC was in NYC. However, just because the half plate matting is plain, that does not mean the dag had to have been produced in the 1840's. More likely than not it was. But it is still possible that it was taken in the 1850's by a studio that was still was offering the option of the plainer mat, and that is what the customer chose.

benjulmag 10-16-2011 09:03 PM

Quote:

Originally Posted by bmarlowe1 (Post 932389)
>>I believe I have skills in this area, but they don't compare to Jerry Richards'. IMO the experience of doing thousands of photographic facial comparisons gives a perspective that no amount of book learning can replicate. It bears directly on your point of providing instances of identical subjects that exhibit the same facial discrepancies we see in this instance.

I agree that experience is more important than book learning. That's why I stated the following:
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Active forensic artists working for major metropolitan police departments may analyze and compare hundreds or more faces every month, thousands every year, many tens of thousands over a long career. Their primary focus is faces. There is no substitute for that kind of experience.
p28:
There is no substitute for the decades of repetitive intense exposure one gets as a career forensic artist working for a major metropolitan police department. There are perspectives that can only be gained by examining thousands of faces…..


I have always understood that Mark, and that is why, contrary to what you have said, I do not question Mr. Mancusi's competence in comparing facial features. But since presumably his work does not involve dealing with daguerreotypes and the particularities of that photographic process, he would be lacking in certain knowledge relevant to knowing what discrepancies he perceives he sees even exist. As to the issue of methodology (i.e., his belief that it is not necessary to undertake separate comparisons with each of the A subjects), that still continues to trouble me.

edhans 10-17-2011 05:37 AM

Re: Cartwright dag
 
Quote:

I'm sure I'll be in the minority on this, but I'm not in favor of a poll or vote. I don't think the results, whatever they may be, would add anything beneficial to the conversation. I do appreciate the newsletter being posted so that all sides and opinions can be discussed and anyone that wants to weigh in has the opportunity to do so.
+1

steve B 10-17-2011 07:49 AM

This entire thing has been very interesting. I would like to read the technical aspects of the lens distortion, or other distortions possibly caused by the emulsion.

I do have one question and one comment.

I don't see dating the matting as a purely negative exercise. It means more if the item os in hand, but it's not impossible for a photo to be recased either for style after production or by an owner using a similar case much later to replace a damaged case.


My question is - Corey owns the Dag in question. Why was the high resolution image obtained from Ken Burns? The only reason I can think of is knowing it existed made exposing the Dag to the light from scanning unecessary? (Although if I owned something like it I'd do my own high res scan)

Steve B

Quote:

Originally Posted by benjulmag (Post 932390)
The dating of a dag by the matting is a negative test -- that is it shows what something is not, not what it is. Perhaps the wording in my earlier post contributed to the confusion. But by negative test I mean that since the more ornate brass mattings did not begin to appear until the 1850's, had the half plate exhibited it, we would know it could not date to the period AJC was in NYC. However, just because the half plate matting is plain, that does not mean the dag had to have been produced in the 1840's. More likely than not it was. But it is still possible that it was taken in the 1850's by a studio that was still was offering the option of the plainer mat, and that is what the customer chose.


oldjudge 10-17-2011 07:56 AM

2 Attachment(s)
Late last night I thought I had figured out who the fellow in the middle of Corey's dag was. If you look at the fellow on the left in the ambrotype shown below you will see Alexander's brother Alfred. If Alfred's face is compared to the enlarged mid-back row face from Corey's dag, he looks a lot more like this man than does Alexander (Middle of ambrotype). However, Mark has analyzed this image and has found that Alfred is not the man in the middle either. Based on this, I am drawn to the conclusion that the man in the middle is almost surely a third Cartwright relative and is not Alexander.

benjulmag 10-17-2011 08:36 AM

Quote:

Originally Posted by steve B (Post 932432)
This entire thing has been very interesting. I would like to read the technical aspects of the lens distortion, or other distortions possibly caused by the emulsion.

I do have one question and one comment.

I don't see dating the matting as a purely negative exercise. It means more if the item os in hand, but it's not impossible for a photo to be recased either for style after production or by an owner using a similar case much later to replace a damaged case.


My question is - Corey owns the Dag in question. Why was the high resolution image obtained from Ken Burns? The only reason I can think of is knowing it existed made exposing the Dag to the light from scanning unecessary? (Although if I owned something like it I'd do my own high res scan)

Steve B

The high resolution image was obtained from Ken Burns because that was what was required to expose a missing portion of the irises. This is discussed in length in the newsletter supplement.


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